MARC details
| 000 -LEADER |
|---|
| fixed length control field |
01990cam a22003134a 4500 |
| 001 - CONTROL NUMBER |
|---|
| control field |
3188 |
| 003 - CONTROL NUMBER IDENTIFIER |
|---|
| control field |
ES-MaCDT |
| 005 - DATE AND TIME OF LATEST TRANSACTION |
|---|
| control field |
20220214093555.0 |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
|---|
| fixed length control field |
050822s2006 enk b 001 0 eng |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
|---|
| International Standard Book Number |
1-4039-0663-7 |
| 040 ## - CATALOGING SOURCE |
|---|
| Modifying agency |
INAEM-CDT |
| Language of cataloging |
spa |
| 042 ## - AUTHENTICATION CODE |
|---|
| Authentication code |
pcc |
| 100 1# - MAIN ENTRY--PERSONAL NAME |
|---|
| Personal name |
Heddon, Deirdre, |
| Dates associated with a name |
1969- |
| 9 (RLIN) |
11975 |
| 245 10 - TITLE STATEMENT |
|---|
| Title |
Devising performance : |
| Remainder of title |
a critical history |
| Statement of responsibility, etc |
Deirdre Heddon and Jane Milling |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. (IMPRINT) |
|---|
| Place of publication, distribution, etc |
New York : |
| Name of publisher, distributor, etc |
Palgrave Macmillan, |
| Date of publication, distribution, etc |
2005 |
| 300 ## - PHYSICAL DESCRIPTION |
|---|
| Extent |
VII, 272 p. |
| Dimensions |
23 cm |
| 440 #0 - SERIES STATEMENT/ADDED ENTRY--TITLE |
|---|
| Title |
Theatre and performance practices |
| 9 (RLIN) |
11976 |
| 504 ## - BIBLIOGRAPHY, ETC. NOTE |
|---|
| Bibliography, etc |
Bibliografía: (p. 250-264). Índice |
| 505 0# - FORMATTED CONTENTS NOTE |
|---|
| Formatted contents note |
Preface -- Introduction -- Devising and Physical Performance -- Devising and Visual Performance -- Devising and Political Theatre -- Devising and Communities -- Contemporary Devising and Physical Theatre -- Contemporary Devising and Postmodern Performance -- Devising the Mainstream -- Notes -- Further Reading |
| 520 ## - SUMMARY, ETC. |
|---|
| Summary, etc |
The book charts the development of collaboratively-created performances from the 1950s to the present day. Companies discussed include the Living Theatre, Open Theatre, Australian Performing Group, People Show, Teatro Campesino, Theatre de Complicite, Legs on the Wall, Forced Entertainment and Third Angel. Against this background of enormous variety, fundamental questions are posed: 'What is devised theatre?'; 'Why have theatre-makers chosen to devise performances since the 1950s?' and 'How has devised performance changed over the last fifty years?' |
| 650 #4 - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Topical term or geographic name as entry element |
Formación actoral |
| General subdivision |
Improvisación |
| 9 (RLIN) |
4173 |
| 650 #4 - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Topical term or geographic name as entry element |
Teatro experimental |
| 9 (RLIN) |
4297 |
| 650 #4 - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Topical term or geographic name as entry element |
Interpretación teatral |
| 9 (RLIN) |
3332 |
| 700 1# - ADDED ENTRY--PERSONAL NAME |
|---|
| Personal name |
Milling, Jane, |
| Dates associated with a name |
1967- |
| 9 (RLIN) |
11967 |
| 942 ## - ADDED ENTRY ELEMENTS (KOHA) |
|---|
| Source of classification or shelving scheme |
|
| Koha item type |
Fondo moderno |
