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Performance studies

por Striff, Erin [ed.].
Tipo de material: materialTypeLabelLibroSeries Readers in cultural criticism. Editor: Basingstoke (Nueva York) Palgrave Macmillan 2003Descripción: XII, 213 p. 24 cm.ISBN: 0-333-78674-2.Materia(s): Teatro de vanguardia | Performance (Arte) | Teatro -- Aspectos antropológicos
Contenidos:
Part I: Popular Performance The Power Team: Muscular Christianity and the Spectacle of Conversion. S. Mazer Ethnological Show Business: Footlighting the Dark Continent. B. Lindfors Striptease: Desire, Mimetic Jeopardy, and Performing Spectators. K. Liepe-Levinson -- Part II: Performing Bodies, Performance Art The Surgical Self: Body Alteration and Identity. P. Auslander Reconsidering Homophobia: Karen Finley's Indiscretions. L. Hart -- Part II: Performing Histories/Memories Spectacular Suffering: Performing Presence, Absence and Witness at the U.S. Holocaust Memorial Museum. V.M. Patraka Hearing Anita Hill and Clarence Tomas. P. Phelan -- Part IV: Performance and the World The Street is the Stage. R. Schechner Culture and Performance in the Circum-Atlantic World. J. Roach Jewels Brought Back from Bondage: Black Music and the Politics of Authenticity. P. Gilroy -- Part V: Performativity/Performance Critically Queer. J. Butler Choreographies of Gender. S.L. Foster
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Bibliografía. Índice.

Part I: Popular Performance The Power Team: Muscular Christianity and the Spectacle of Conversion. S. Mazer Ethnological Show Business: Footlighting the Dark Continent. B. Lindfors Striptease: Desire, Mimetic Jeopardy, and Performing Spectators. K. Liepe-Levinson -- Part II: Performing Bodies, Performance Art The Surgical Self: Body Alteration and Identity. P. Auslander Reconsidering Homophobia: Karen Finley's Indiscretions. L. Hart -- Part II: Performing Histories/Memories Spectacular Suffering: Performing Presence, Absence and Witness at the U.S. Holocaust Memorial Museum. V.M. Patraka Hearing Anita Hill and Clarence Tomas. P. Phelan -- Part IV: Performance and the World The Street is the Stage. R. Schechner Culture and Performance in the Circum-Atlantic World. J. Roach Jewels Brought Back from Bondage: Black Music and the Politics of Authenticity. P. Gilroy -- Part V: Performativity/Performance Critically Queer. J. Butler Choreographies of Gender. S.L. Foster

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