000			02027nam a22002177a 4500
001			31271
003			ES-MaCDT
005			20220331123719.0
008			170828b xxu||||| |||| 00| 0 eng d
020			_a91-520-0468-6
040			_dES-MaCDT
100			_aEnglund, Claes _978776
245			_aTheatre in Sweden _c de Claes Englund and Leif Janzon _h[texto impreso]
260			_aSweden: _b Swedish Institute/Svenska Institutet, _c Junio, 1997
300			_a92 p. _bil. b/n _c21 cm.
505			_aBackground; After 1945; The 1960s; The 1970s; The 1980s and 1990s; Structure of the Theatre Community; Organizations; Amateur Theatre; companies; Milticultural Theatre; Dramaturgy; Directors, Directing and Productions Styles; Radio and Television Drama; Music Theatre ; Dance Theatre; Theatre for Young Audiences; Puppet Theatre; Desing; Theatre Space and Architecture; Training; Criticism, Scholarship and Publishing; Theatre 2000.
520	2		_a"THEATRE IN SWEDEN:What do we know about theatre in Sweden? What associations does it bring to mind? Most of us would do weel to come up whith even a handfulof names or phenomena, most of them known in a international context. August Strindberg. Ingmar bergman. Some of the stars of opera - Jussi Björling, Birgit Nilsson...Yet theatrical life has flourished sinde the late 18th century, when the first great patron of the arts, Gustav III, founded the dramatic institutions in Stockholm which still today play a central role.What has happened in the two hundred years since then? Theatre for all in a large and sparsely populated country. Children's theatre. Radio and television drama. Multicultural theatre... Concentrating on the evenful postwar years, CLAES ENGLUND and LEIF JANZON give us a succinct yet detailed account of the important individuals and companies, aesthetic and political developments have shaped the course of theatrical life in Sweden." (de la contraportada)
650		0	_aTeatro sueco _978777
700			_aJanzon, Leif _978778
942			_2udc _cMONO
999			_c31271 _d31271