000			01738nam a2200265 a 4500
999			_c3186 _d3186
001			3186
003			ES-MaCDT
005			20220401100202.0
008			081231s2003 xxk|||||||||| 001|0 eng|c
020			_a0-333-78674-2
040			_bspa _dINAEM-CDT
080			_a572.026:792
245	0	0	_aPerformance studies / _cedited by Erin Striff
260			_aBasingstoke (Nueva York): _bPalgrave Macmillan, _c2003
300			_aXII, 213 p. _c24 cm
440		0	_aReaders in cultural criticism _911964
504			_aBibliografía. Índice.
505	8		_aPart I: Popular Performance The Power Team: Muscular Christianity and the Spectacle of Conversion. S. Mazer Ethnological Show Business: Footlighting the Dark Continent. B. Lindfors Striptease: Desire, Mimetic Jeopardy, and Performing Spectators. K. Liepe-Levinson -- Part II: Performing Bodies, Performance Art The Surgical Self: Body Alteration and Identity. P. Auslander Reconsidering Homophobia: Karen Finley's Indiscretions. L. Hart -- Part II: Performing Histories/Memories Spectacular Suffering: Performing Presence, Absence and Witness at the U.S. Holocaust Memorial Museum. V.M. Patraka Hearing Anita Hill and Clarence Tomas. P. Phelan -- Part IV: Performance and the World The Street is the Stage. R. Schechner Culture and Performance in the Circum-Atlantic World. J. Roach Jewels Brought Back from Bondage: Black Music and the Politics of Authenticity. P. Gilroy -- Part V: Performativity/Performance Critically Queer. J. Butler Choreographies of Gender. S.L. Foster
650	0	0	_aTeatro de vanguardia _96994
650	0	4	_aPerformance _977658
650	0	4	_aAntropología teatral _912404
700	1		_aStriff, Erin, _d1968-, _eed. _911966
942			_2ddc _cMONO