Performance studies / edited by Erin Striff

Colaborador(es): Striff, Erin, 1968- [ed.]Tipo de material: TextoTextoSeries Readers in cultural criticismDetalles de publicación: Basingstoke (Nueva York): Palgrave Macmillan, 2003Descripción: XII, 213 p. 24 cmISBN: 0-333-78674-2Tema(s): Teatro de vanguardia | Performance | Antropología teatral
Contenidos:
Part I: Popular Performance The Power Team: Muscular Christianity and the Spectacle of Conversion. S. Mazer Ethnological Show Business: Footlighting the Dark Continent. B. Lindfors Striptease: Desire, Mimetic Jeopardy, and Performing Spectators. K. Liepe-Levinson -- Part II: Performing Bodies, Performance Art The Surgical Self: Body Alteration and Identity. P. Auslander Reconsidering Homophobia: Karen Finley's Indiscretions. L. Hart -- Part II: Performing Histories/Memories Spectacular Suffering: Performing Presence, Absence and Witness at the U.S. Holocaust Memorial Museum. V.M. Patraka Hearing Anita Hill and Clarence Tomas. P. Phelan -- Part IV: Performance and the World The Street is the Stage. R. Schechner Culture and Performance in the Circum-Atlantic World. J. Roach Jewels Brought Back from Bondage: Black Music and the Politics of Authenticity. P. Gilroy -- Part V: Performativity/Performance Critically Queer. J. Butler Choreographies of Gender. S.L. Foster
Star ratings
    Valoración media: 0.0 (0 votos)
Existencias
Tipo de ítem Biblioteca actual Signatura Estado Fecha de vencimiento Código de barras
Fondo moderno Fondo moderno CDAEM
C \ PAL \ PER STU Disponible 13622

Bibliografía. Índice.

Part I: Popular Performance The Power Team: Muscular Christianity and the Spectacle of Conversion. S. Mazer Ethnological Show Business: Footlighting the Dark Continent. B. Lindfors Striptease: Desire, Mimetic Jeopardy, and Performing Spectators. K. Liepe-Levinson -- Part II: Performing Bodies, Performance Art The Surgical Self: Body Alteration and Identity. P. Auslander Reconsidering Homophobia: Karen Finley's Indiscretions. L. Hart -- Part II: Performing Histories/Memories Spectacular Suffering: Performing Presence, Absence and Witness at the U.S. Holocaust Memorial Museum. V.M. Patraka Hearing Anita Hill and Clarence Tomas. P. Phelan -- Part IV: Performance and the World The Street is the Stage. R. Schechner Culture and Performance in the Circum-Atlantic World. J. Roach Jewels Brought Back from Bondage: Black Music and the Politics of Authenticity. P. Gilroy -- Part V: Performativity/Performance Critically Queer. J. Butler Choreographies of Gender. S.L. Foster

No hay comentarios en este titulo.

para colocar un comentario.

Con tecnología Koha