Devising performance : a critical history Deirdre Heddon and Jane Milling

Por: Heddon, Deirdre, 1969-Colaborador(es): Milling, Jane, 1967-Tipo de material: TextoTextoSeries Theatre and performance practicesDetalles de publicación: New York : Palgrave Macmillan, 2005Descripción: VII, 272 p. 23 cmISBN: 1-4039-0663-7Tema(s): Formación actoral -- Improvisación | Teatro experimental | Interpretación teatral
Contenidos:
Preface -- Introduction -- Devising and Physical Performance -- Devising and Visual Performance -- Devising and Political Theatre -- Devising and Communities -- Contemporary Devising and Physical Theatre -- Contemporary Devising and Postmodern Performance -- Devising the Mainstream -- Notes -- Further Reading
Resumen: The book charts the development of collaboratively-created performances from the 1950s to the present day. Companies discussed include the Living Theatre, Open Theatre, Australian Performing Group, People Show, Teatro Campesino, Theatre de Complicite, Legs on the Wall, Forced Entertainment and Third Angel. Against this background of enormous variety, fundamental questions are posed: 'What is devised theatre?'; 'Why have theatre-makers chosen to devise performances since the 1950s?' and 'How has devised performance changed over the last fifty years?'
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Existencias
Tipo de ítem Biblioteca actual Ubicación en estantería Signatura Estado Fecha de vencimiento Código de barras
Fondo moderno Fondo moderno CDAEM
Sede de Argumosa C \ PAL \ HED DEV Disponible 13624

Bibliografía: (p. 250-264). Índice

Preface -- Introduction -- Devising and Physical Performance -- Devising and Visual Performance -- Devising and Political Theatre -- Devising and Communities -- Contemporary Devising and Physical Theatre -- Contemporary Devising and Postmodern Performance -- Devising the Mainstream -- Notes -- Further Reading

The book charts the development of collaboratively-created performances from the 1950s to the present day. Companies discussed include the Living Theatre, Open Theatre, Australian Performing Group, People Show, Teatro Campesino, Theatre de Complicite, Legs on the Wall, Forced Entertainment and Third Angel. Against this background of enormous variety, fundamental questions are posed: 'What is devised theatre?'; 'Why have theatre-makers chosen to devise performances since the 1950s?' and 'How has devised performance changed over the last fifty years?'

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