Performance art in Eastern Europe since 1960 Amy Bryzgel

Por: Bryzgel, Amy, 1973-Tipo de material: TextoTextoSeries Rethinking art's historiesEditor: Manchester, England : Manchester University Press, 2017Fecha de copyright: ©2017Descripción: 366 páginas ilustraciones (color) 24 cmTipo de contenido: Texto Tipo de medio: sin mediación ISBN: 978-1-7849-9421-1Tema(s): Politics in art | Performance
Contenidos:
Sources and origins -- The body -- Gender -- Politics and identity -- Institutional critique.
Resumen: This volume presents the first comprehensive academic study of the history and development of performance art in the former communist countries of Central, Eastern and South Eastern Europe since the 1960s. Covering 21 countries and more than 250 artists, this text demonstrates the manner in which performance art in the region developed concurrently with the genre in the West, highlighting the unique contributions of Eastern European artists. The discussions are based on primary source material-interviews with the artists themselves. It offers a comparative study of the genre of performance art in countries and cities across the region, examining the manner in which artists addressed issues such as the body, gender, politics and identity, and institutional critique.
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Existencias
Tipo de ítem Biblioteca actual Ubicación en estantería Signatura Estado Fecha de vencimiento Código de barras
Fondo moderno Fondo moderno
Sede de Argumosa 17253 Disponible 0032524833123

Incluye referencias bibliográficas (páginas 340-345) e índice

Sources and origins -- The body -- Gender -- Politics and identity -- Institutional critique.

This volume presents the first comprehensive academic study of the history and development of performance art in the former communist countries of Central, Eastern and South Eastern Europe since the 1960s. Covering 21 countries and more than 250 artists, this text demonstrates the manner in which performance art in the region developed concurrently with the genre in the West, highlighting the unique contributions of Eastern European artists. The discussions are based on primary source material-interviews with the artists themselves. It offers a comparative study of the genre of performance art in countries and cities across the region, examining the manner in which artists addressed issues such as the body, gender, politics and identity, and institutional critique.

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