Hearing the city in early modern Europe /

Hearing the city in early modern Europe / / edited by Tess Knighton & Ascensión Mazuela-Anguita. .-- Turnhout (Belgica) : : Brepols, , cop. 2018.

428 páginas : : : ilustraciones, mapas., música ; ; ; 29 cm. .-- ( Épitome musical ).


Contribuciones de: Tess Knighton, Ascensión Mazuela-Anguita y María Gembero-Ustárroz entre otras
Trabajos presentados en el ICREA International Workshop celebrado en Barcelona del 24 al 26 de septiembre de 2015, bajo el título: Hearing the city: musical experience as portal to urban soundscapes.


Bibliografía. Índice


Introduction: 1. Listening to Music in Early Modern Italy: some problems for the urban musicologists/ Tim Carter. -- 2.Crossing boundaries: Urban musicologies/ Dinko Fabris. -- Hearing other cities: the role of seaborne empires and colonial emporia in early global music history/ David R.M. Irving. -- Topography, sound and music in eighteenth-century Madrid/ Juan José Carreras. -- Sounding Shakespeare's London: the noisy politics of ceremonial entries/ Bruce R.Smith. -- Veiling the Voice of Architecture/ Helen Hills -- Sounds in Contention: musical repertories and genres in contested urban spaces: Sounds and silences of reformation: Zurich, 1524-71/ Jan-Friedrich Missfelder. -- Musical Experience in Urban Societies in the Seventeenth and Early Eighteenth Centuries: Communication, Moral Issues and Musical Townscape/ Joachim Kremer. -- Music as Dangerous Urban Leisure: safety in and around Public Theatres in Enlightenment Naples/ Mélanie Traversier. -- Shaping the Urban Soundscape in Spanish Palermo/ Anna Tedesco. -- Cantaron a no más, or Musical Changes in Eighteenth-Century Spain as Constructed through Valencian relaciones de fiestas/ Andrea Bombi -- 3. Soundsworlds and spatial strategies of the social elite: The Contribution of the Requesens Noblewomen to the Soundscape of Sixteenth-Century Barcelona through the Palau de la Comtessa/ Ascensión Mazuela- Anguita. -- Music in Late Seventeenth-Century Rome: The Palazzo Orsini as a Performance Space/ Anne-Madeleine Goulet. -- The procession of the Relics of Sao Roque (Lisbon, 1588): A Royal Entry?/ Ferrán Escrivà-Llorca. -- Music regulations and sacred repertories in a Ducal Town Without a Duke: Francisco de los Cobos and the Sacra Capilla of El Salvador in Sixteenth-Century Úbeda/ Javier Marín-López. -- 4. Case studies in urban soundscapes: On the soundscape of fifteenth-Century Vienna/Reinhard Strohm. -- Orality and Aurality: contexts for the unwritten musics of sixteenth-century Barcelona/ Tess Knighton. -- Music, Religious communities, and the urban dimension: sound experiences in Palermo in the Sixteenth and Seventeenth Centuries/ Ilaria Grippaudo. -- Re-mapping urban music in Spanish Regional Contexts:The Case of Navarre (Sixteenth to Eighteenth Centuries)/ María Gembero-Ustárroz. -- "A vast number of voices and instruments": the performance of large-scale church music in early eighteenth-Century London/ Peter Holman. -- 5. Coda: Historical Soundscapes (c.1200-c.1800): an on-line digital platform/ Juan Ruiz Jiménez & Ignacio José Lizarán Rus.

D 2018 0095 37

9782503579597


Edad Media
Música urbana--Europa--Congresos
Música y sociedad--Europa--Congresos
Paisajes urbanos--Europa--Congresos


Barcelona
Londres
Madrid
Nápoles (Italia)
Palermo
Viena


Mazuela-Anguita, Ascensión, Editor
Knighton, Tess 1957- , Editor

Con tecnología Koha