Le Sous Sol
Cie. Peeping Tom
Le Sous Sol / Peeping Tom .-- : , , 2007
1 disco de vídeo digital DVD 1 disco de vídeo digital DVD 1 disco de vídeo digital DVD 1 vídeo digital DVD
Le Sous Sol is the final part of Peeping Tom's first trilogy that had started in 2002 with Le Jardin, followed by Le Salon in 2004.
Le Sous Sol was collectively created by the performers and premiered on 28 March 2007 in the Royal Flemish Theatre (KVS) in Brussels (BE). The piece toured throughout Europe and Japan from 2007 until 2009.
In Le Sous Sol, the members of the family encountered previously in the trilogy are now dead and buried, but live on underground. They find themselves in a strange world where social codes no longer exist; the family pecking order is ready to be turned upside down. Inspiration came from Dostojevski 's Bobok. The deceased characters talk about their death and ask themselves questions about the lives they have lived. The situational humour creates an important contrast. In this piece Peeping Tom brings the ancestors into play even more forcefully than before. An extraordinary addition is the collaboration with the 80-year-old butoh dancer Maria Otal.
Le Sous Sol / Peeping Tom .-- : , , 2007
1 disco de vídeo digital DVD 1 disco de vídeo digital DVD 1 disco de vídeo digital DVD 1 vídeo digital DVD
Le Sous Sol is the final part of Peeping Tom's first trilogy that had started in 2002 with Le Jardin, followed by Le Salon in 2004.
Le Sous Sol was collectively created by the performers and premiered on 28 March 2007 in the Royal Flemish Theatre (KVS) in Brussels (BE). The piece toured throughout Europe and Japan from 2007 until 2009.
In Le Sous Sol, the members of the family encountered previously in the trilogy are now dead and buried, but live on underground. They find themselves in a strange world where social codes no longer exist; the family pecking order is ready to be turned upside down. Inspiration came from Dostojevski 's Bobok. The deceased characters talk about their death and ask themselves questions about the lives they have lived. The situational humour creates an important contrast. In this piece Peeping Tom brings the ancestors into play even more forcefully than before. An extraordinary addition is the collaboration with the 80-year-old butoh dancer Maria Otal.