Music theory and natural order from the Renaissance to the early twentieth century /
Music theory and natural order from the Renaissance to the early twentieth century / / edited by Suzannah Clark and Alexander Rehding.
.-- Cambridge ; New York : : Cambridge University Press, , 2005.
XI, 243 páginas : : : ilustraciones ; ; ; 25 cm.
Incluye referencias bibliográficas (páginas 213-232) e índices.
Part I. The Disenchantment and Re-enchantment of Music: 1. Vincenzo Galilei, modernity and the division of nature Daniel Chua; 2. 'Tis nature's voice': music, natural philosophy and the hidden world in seventeenth-century England Linda Phyllis Austern; 3. The 'gift of nature': musical 'instinct' and musical cognition in Rameau David Cohen; 4. Nietzsche, Riemann, Wagner: when music lies Leslie David Blasius; Part II. Natural Forms - Forming Nature: 5. The second nature of sonata form Scott Burnham; 6. August Halm's two cultures as nature Alexander Rehding; 7. Seduced by notation: Oettingen's topography of the major-minor system Suzannah Clark; Part III. Constructions of Identity: 8. The gendered eye: music analysis and the scientific outlook in German early Romantic music theory Ian Biddle; 9. On the primitives in music theory: the savage and subconscious as sources of analytical authority Peter A. Hoyt
9780521023924
Estética musical
Historia de la música
Naturaleza
Teoría de la música
Rehding, Alexander
Clark, Suzannah 1969-
XI, 243 páginas : : : ilustraciones ; ; ; 25 cm.
Incluye referencias bibliográficas (páginas 213-232) e índices.
Part I. The Disenchantment and Re-enchantment of Music: 1. Vincenzo Galilei, modernity and the division of nature Daniel Chua; 2. 'Tis nature's voice': music, natural philosophy and the hidden world in seventeenth-century England Linda Phyllis Austern; 3. The 'gift of nature': musical 'instinct' and musical cognition in Rameau David Cohen; 4. Nietzsche, Riemann, Wagner: when music lies Leslie David Blasius; Part II. Natural Forms - Forming Nature: 5. The second nature of sonata form Scott Burnham; 6. August Halm's two cultures as nature Alexander Rehding; 7. Seduced by notation: Oettingen's topography of the major-minor system Suzannah Clark; Part III. Constructions of Identity: 8. The gendered eye: music analysis and the scientific outlook in German early Romantic music theory Ian Biddle; 9. On the primitives in music theory: the savage and subconscious as sources of analytical authority Peter A. Hoyt
9780521023924
Estética musical
Historia de la música
Naturaleza
Teoría de la música
Rehding, Alexander
Clark, Suzannah 1969-