Dancing in space-time (Registro nro. 103744)
[ vista simple ]
| 000 -LEADER | |
|---|---|
| fixed length control field | 00988nab a2200193 c 4500 |
| 001 - CONTROL NUMBER | |
| control field | myd_58571 |
| 003 - CONTROL NUMBER IDENTIFIER | |
| control field | ES-MaCDM |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20240919110545.0 |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION | |
| fixed length control field | 181003s1998 enk||||fr 00| u|eng u |
| 040 ## - CATALOGING SOURCE | |
| Original cataloging agency | ES-MaCDM |
| 100 1# - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Lewton-Brain, Peter |
| 9 (RLIN) | 138840 |
| 245 0# - TITLE STATEMENT | |
| Title | Dancing in space-time |
| Remainder of title | Peter Lewton-Brain considers the dimensions of dancing |
| Statement of responsibility, etc | Peter Lewton-Brain |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. (IMPRINT) | |
| Date of publication, distribution, etc | 1998: |
| Name of publisher, distributor, etc | Dance Books Ltd., |
| Place of publication, distribution, etc | Alton,Hampshire (UK) |
| 300 ## - PHYSICAL DESCRIPTION | |
| Extent | 3 p. |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc | "Dance is merely the whole of the human body in action, transposed into a kind of space-time, a world no longer quite the same as that of ordinary life". Dance is an art of space and time, existing in these two dimensions. It becomes an art when the dimensions intersect, the precision of this meeting point determining the quality of the work. PALABRAS CLAVE: Theme and Variations. |
| 773 0# - HOST ITEM ENTRY | |
| Title | Dance Now |
| Host Biblionumber | 74546 |
| Record control number | myd_17706 |
| Relationship information | Vol. 7, núm. 1, Spring 1998, p. 42 - 43 |
| 903 ## - LOCAL DATA ELEMENT C, LDC (RLIN) | |
| a | 58571 |
| b | 58571 |
| 942 ## - ADDED ENTRY ELEMENTS (KOHA) | |
| Koha item type | Artículos de revista |
| Source of classification or shelving scheme | Other/Generic Classification Scheme |
No hay ítems disponibles.
