Dancing without Space - On Nijinsky's L'Après-midi d'un Faune (1912) (Registro nro. 119183)

Detalles MARC
000 -LEADER
fixed length control field 01178nab a2200193 c 4500
001 - CONTROL NUMBER
control field myd_81196
003 - CONTROL NUMBER IDENTIFIER
control field ES-MaCDM
005 - DATE AND TIME OF LATEST TRANSACTION
control field 20241001092951.0
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION
fixed length control field 181003s2009 stk||||fr 00| u|eng u
040 ## - CATALOGING SOURCE
Original cataloging agency ES-MaCDM
100 1# - MAIN ENTRY--PERSONAL NAME
Personal name Järvinen, Hanna
9 (RLIN) 136301
245 0# - TITLE STATEMENT
Title Dancing without Space - On Nijinsky's L'Après-midi d'un Faune (1912)
Statement of responsibility, etc Hanna Järvinen
260 ## - PUBLICATION, DISTRIBUTION, ETC. (IMPRINT)
Date of publication, distribution, etc 2009
Place of publication, distribution, etc Edinburgh:
Name of publisher, distributor, etc Edinburgh University Press,
300 ## - PHYSICAL DESCRIPTION
Extent 37 p.
520 ## - SUMMARY, ETC.
Summary, etc RESUMEN: Three-dimensional theatrical space is often taken for granted as a precondition of dance. Already in 1912, the choreographer Vaslav Nijinsky provoked much discussion with a work that seemingly turned the performance into a moving, two-dimensional picture. L'Après-midi d'un Faune has achieved notoriety because of the objections some contemporary critics raised against the 'immoral' behaviour of the principal character, but I argue the style of the work brought about an important shift in how dancing was conceptualised as something composed by a choreographic author.
773 0# - HOST ITEM ENTRY
Title Dance Research
Host Biblionumber 72889
Record control number myd_16032
Relationship information Vol. 27, núm. 1,Summer 2009, p. 28 - 64
903 ## - LOCAL DATA ELEMENT C, LDC (RLIN)
a 81196
b 81196
942 ## - ADDED ENTRY ELEMENTS (KOHA)
Koha item type Artículos de revista
Source of classification or shelving scheme Other/Generic Classification Scheme

No hay ítems disponibles.