From Tragicomedy to Epic (Registro nro. 120339)
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| 000 -LEADER | |
|---|---|
| fixed length control field | 01881nab a2200193 c 4500 |
| 001 - CONTROL NUMBER | |
| control field | myd_82644 |
| 003 - CONTROL NUMBER IDENTIFIER | |
| control field | ES-MaCDM |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20241001092953.0 |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION | |
| fixed length control field | 181003s2007 stk||||fr 00| u|eng u |
| 040 ## - CATALOGING SOURCE | |
| Original cataloging agency | ES-MaCDM |
| 100 1# - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Canova-green, Marie-claude |
| 9 (RLIN) | 136456 |
| 245 0# - TITLE STATEMENT | |
| Title | From Tragicomedy to Epic |
| Remainder of title | The Court Ballets of Desmarets de Saint-Sorlin |
| Statement of responsibility, etc | Marie-Claude Canova-Green |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. (IMPRINT) | |
| Date of publication, distribution, etc | 2007 |
| Place of publication, distribution, etc | Edinburgh: |
| Name of publisher, distributor, etc | Edinburgh University Press, |
| 300 ## - PHYSICAL DESCRIPTION | |
| Extent | 11 p. |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc | RESUMEN: It was customary in the seventeenth century to assimilate court ballet with drama, as both art forms were seen to strive for a common aim: the imitation or representation of nature. However, critics were also keen to point out their essential differences, for, unlike tragedy, ballet disregarded the rules of neo-classical aesthetics and its only concern seemed to be to please and to entertain. This was particularly evident in the court ballets written by Desmarets de Saint-Sorlin between 1639 and 1641. Unsurprisingly, they were singled out for special criticism by theorists of the ballet, who highlighted their dramatic shortcomings, and failed to see that they constituted another form of dramatic aesthetics, which was conspicuous precisely because of its emancipation from the strictures of Aristotelian theory. It could be said that the ballets of Desmarets had all the hallmarks of contemporary tragicomedy: irregularity of construction, diversity of action, disregard for the unity of tone, etc., but in adapting the principles of this new aesthetics to the ballet, Desmarets ran the risk of transgressing the boundaries of tragicomedy and even of drama, approaching a genre which was no longer dramatic but narrative, i.e. epic poetry. |
| 773 0# - HOST ITEM ENTRY | |
| Title | Dance Research |
| Host Biblionumber | 72889 |
| Record control number | myd_16032 |
| Relationship information | Vol. 25, núm. 2, Winter 2007, p. 156 - 166 |
| 903 ## - LOCAL DATA ELEMENT C, LDC (RLIN) | |
| a | 82644 |
| b | 82644 |
| 942 ## - ADDED ENTRY ELEMENTS (KOHA) | |
| Koha item type | Artículos de revista |
| Source of classification or shelving scheme | Other/Generic Classification Scheme |
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