Luncheon on the Grass with Manet and Bow Wow Wow (Registro nro. 121558)
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| 000 -LEADER | |
|---|---|
| fixed length control field | 02197nab a2200193 c 4500 |
| 001 - CONTROL NUMBER | |
| control field | myd_84468 |
| 003 - CONTROL NUMBER IDENTIFIER | |
| control field | ES-MaCDM |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20241010081322.0 |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION | |
| fixed length control field | 181003s2010 sp ||||fr 00| u|spa u |
| 040 ## - CATALOGING SOURCE | |
| Original cataloging agency | ES-MaCDM |
| 100 1# - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Chapman, Ian |
| 9 (RLIN) | 136704 |
| 245 0# - TITLE STATEMENT | |
| Title | Luncheon on the Grass with Manet and Bow Wow Wow |
| Remainder of title | Still disturbing after all these years |
| Statement of responsibility, etc | CHAPMAN, Ian |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. (IMPRINT) | |
| Date of publication, distribution, etc | 2010 |
| Place of publication, distribution, etc | New York: |
| Name of publisher, distributor, etc | Research Center for Music Iconography RCMI, |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc | RESUMEN: In 1981, "New Tribalist" band, Bow Wow Wow released their debut album, See Jungle! See Jungle!Go join Your Gang, Yeah! City All Over! Go Ape Crazy. The cover was an elaborately staged photographic reenactment of Manet's 1863 work, Le Déjeneur sur l'herbe, and featured the band members posed in the place of Manet's subjects. The cover caused outrage because the band's lead singer, fifteen-year old Annabelle Lwin, was pictured naked amidst her clothed male band-mates. An examination of other album covers by the band around this time, in conjunction with lyric analysis and consideration of manager Malcolm McLaren's stated intentions and other artistic and commercial interests, show that underage and early teenage sexuality was a central component of the band's artistic raison d'etre. This paper examine how McLaren utilized provocation based upon moral/sexual themes in his fashioning and promotion of Bow Wow Wow. Focussing primarily upon their controversial first album, comparisons are drawn between the reception of the Manet work in 1863 and other historic works that McLaren, a mal well-schooled in art history, deliberately referenced during the time he managed Bow Wow Wow. Despite the passing of more than a century between Manet's work and McLaren's parody, I contend that the nature of the provocation, and the critical reaction that ensued following the presentation of each work, is of a similar nature and that McLaren almost certaintly intended this thematic alliance. |
| 650 ## - SUBJECT ADDED ENTRY--TOPICAL TERM | |
| Topical term or geographic name as entry element | Iconografía musical |
| 9 (RLIN) | 114726 |
| 773 0# - HOST ITEM ENTRY | |
| Title | Music in Art : International Journal for Music Iconography |
| Host Biblionumber | 81471 |
| Record control number | myd_24697 |
| Relationship information | Vol. 35, núm. 1,Spring-Fall 2010, p. 95 |
| 903 ## - LOCAL DATA ELEMENT C, LDC (RLIN) | |
| a | 84468 |
| b | 84468 |
| 942 ## - ADDED ENTRY ELEMENTS (KOHA) | |
| Koha item type | Artículos de revista |
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