The iconography of the Catalan Habanera (Registro nro. 121566)
[ vista simple ]
| 000 -LEADER | |
|---|---|
| fixed length control field | 02225nab a2200193 c 4500 |
| 001 - CONTROL NUMBER | |
| control field | myd_84476 |
| 003 - CONTROL NUMBER IDENTIFIER | |
| control field | ES-MaCDM |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20241010081322.0 |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION | |
| fixed length control field | 181003s2010 sp ||||fr 00| u|spa u |
| 040 ## - CATALOGING SOURCE | |
| Original cataloging agency | ES-MaCDM |
| 100 1# - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Bakhtiarova, Galina |
| 9 (RLIN) | 136710 |
| 245 0# - TITLE STATEMENT | |
| Title | The iconography of the Catalan Habanera |
| Remainder of title | Indianos, mulatas and Postmodern Emblems of Cultural Identity. |
| Statement of responsibility, etc | BAKHTIAROVA, Galina |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. (IMPRINT) | |
| Date of publication, distribution, etc | 2010 |
| Place of publication, distribution, etc | New York: |
| Name of publisher, distributor, etc | Research Center for Music Iconography RCMI, |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc | RESUMEN: The habanera, a song that became popular in Catalunya in the second half of the twentieth century, evolved into a post-modern emblem of Catalan cultural identity. From the imagery that invoked nostalgia for the lost tropical paradise of the Caribbean, its sensual women and lost opportunities for fortunes and enrichment, the habanera and its iconography evolved into an assertion of Catalunya as a seafaring nation with a place of its own in an overseas colonial enterprise. Arguably, a richly illustrated Álbum de habaneras, a collection compiled and edited by the composer Xavier Montsalvatge, in 1948, started a pattern of collecting and publishing illustrated habaneras. In addition to illustrations in books, habaneras generated a variety of images, such as contemporary commercial publicity materials, posters, postcards,and brochures that played and exceptional part in the transformation of these songs into a nation-wide phenomenon and an intrinsic part of the Catalan cultural identity. The changes in Spain's political and social situation, during the last years of the Franco dictatorship, and the tourist boom of the 1960s played a crucial role in the evolvement of the habanera as a massive phenomenon in Catalunya. Catalan self-assertion may be seen through a prism of European integration and further globalization as Catalunya continues its secular attempts at self-representation as a part of a globalized European community rather than a region over-shadowed by the center. |
| 650 ## - SUBJECT ADDED ENTRY--TOPICAL TERM | |
| Topical term or geographic name as entry element | Iconografía musical |
| 9 (RLIN) | 114726 |
| 773 0# - HOST ITEM ENTRY | |
| Title | Music in Art : International Journal for Music Iconography |
| Host Biblionumber | 81471 |
| Record control number | myd_24697 |
| Relationship information | Vol. 35, núm. 1,Spring-Fall 2010, p. 233 |
| 903 ## - LOCAL DATA ELEMENT C, LDC (RLIN) | |
| a | 84476 |
| b | 84476 |
| 942 ## - ADDED ENTRY ELEMENTS (KOHA) | |
| Koha item type | Artículos de revista |
No hay ítems disponibles.