Music for the multitude (Registro nro. 122923)
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| 000 -LEADER | |
|---|---|
| fixed length control field | 02241nab a2200193 c 4500 |
| 001 - CONTROL NUMBER | |
| control field | myd_86480 |
| 003 - CONTROL NUMBER IDENTIFIER | |
| control field | ES-MaCDM |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20240917124638.0 |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION | |
| fixed length control field | 181003s2010 sp ||||fr 00| u|spa u |
| 040 ## - CATALOGING SOURCE | |
| Original cataloging agency | ES-MaCDM |
| 100 1# - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Herbert, Trevor |
| 9 (RLIN) | 135926 |
| 245 0# - TITLE STATEMENT | |
| Title | Music for the multitude |
| Remainder of title | accounts of brass bands entering Enderby Jackson's Crystal Palace contests in the 1860s |
| Statement of responsibility, etc | HERBERT, Trevor; MYERS, Arnold |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. (IMPRINT) | |
| Date of publication, distribution, etc | 2010: |
| Name of publisher, distributor, etc | Oxford University Press, |
| Place of publication, distribution, etc | London; Oxford |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc | RESUMEN: Enderby Jackson, one of the most talented musical entrepreneurs of the mid- Victorian period, claimed to have invented the brass band contest. One of this major achievements was the establishment of contest. One of this major achievements was tha establishment of contests held at the Crystal Palace in Sydenham, on the outskirts of London, between 1860 and 1863. They brought mass audiences to the edifice, which had been moved from its original site in central London. One of the main purposes of the event was to contribute to the establishment of the new venue as a centre for entertainment at a national rather than a marely local level. Jackson was a brilliant commercial strategist who based his organizational method on meticulous plannig. Each band wishing to enter the cintest was required to complete a form which detailed critical information about its musical and social identity. Seventy-five of these forms survive in the care of the Edinburgh University Collection is Historic Musical Instruments, and they provide a rich and intimate source of information on the instrumentation, repertory and social framework of band of the period. Taken with information about the reception of the events, the sources cast an important light in the nature of one of the most widespread and popular forms of public musical entretainment of the period, and about the entrepreneurial techniques that were employed to make it successful. Keywords: brass band, John Enderby Jackson, Crystal Palace,Edinburgh University Collection is Historic Musical Instruments |
| 700 1# - ADDED ENTRY--PERSONAL NAME | |
| Personal name | Myers, Arnold |
| 9 (RLIN) | 112416 |
| 773 0# - HOST ITEM ENTRY | |
| Title | Early Music |
| Host Biblionumber | 72886 |
| Record control number | myd_16029 |
| Relationship information | Vol. 38, núm. 4,Nov. 2010, p. 571 |
| 903 ## - LOCAL DATA ELEMENT C, LDC (RLIN) | |
| a | 86480 |
| b | 86480 |
| 942 ## - ADDED ENTRY ELEMENTS (KOHA) | |
| Koha item type | Artículos de revista |
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