High clefs and down-to-earth transposition (Registro nro. 123012)

Detalles MARC
000 -LEADER
fixed length control field 01303nab a2200181 c 4500
001 - CONTROL NUMBER
control field myd_86593
003 - CONTROL NUMBER IDENTIFIER
control field ES-MaCDM
005 - DATE AND TIME OF LATEST TRANSACTION
control field 20240917124642.0
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION
fixed length control field 181003s2012 sp ||||fr 00| u|spa u
040 ## - CATALOGING SOURCE
Original cataloging agency ES-MaCDM
100 1# - MAIN ENTRY--PERSONAL NAME
Personal name Parrott, Andrew
9 (RLIN) 131243
245 0# - TITLE STATEMENT
Title High clefs and down-to-earth transposition
Remainder of title a brief defence of Monteverdi
Statement of responsibility, etc PARROTT, Andrew
260 ## - PUBLICATION, DISTRIBUTION, ETC. (IMPRINT)
Date of publication, distribution, etc 2012:
Name of publisher, distributor, etc Oxford University Press,
Place of publication, distribution, etc London; Oxford
520 ## - SUMMARY, ETC.
Summary, etc RESUMEN: Focusing on tha Magnificat a7 in Monteverdi´s 1610 publication, this article repudiates the recently repeated proposal by Roger Bowers that its high-clef notation demands transposition down a mere 2nd (for which there is no known contemporary precedent);100 clear instancesof transposition by the convetional 4th (and 5th) are listed. Besides its implausible resultant Fminor, the narrower transposition cannot be justified on the basis of perceived "inconsistencies" of range, as Monteverdi´s own music (and others) provides ample avidence of lower vocal scoring tham is expected today. Keywords: Claudio Monteverdi, 1610 Verpers, Magnificat a7, high clefs, transposition, vocal range, Thomas Morley, Roger Bowers.
773 0# - HOST ITEM ENTRY
Title Early Music
Host Biblionumber 72886
Record control number myd_16029
Relationship information Vol. 40, núm. 1,Feb. 2012, p. 81
903 ## - LOCAL DATA ELEMENT C, LDC (RLIN)
a 86593
b 86593
942 ## - ADDED ENTRY ELEMENTS (KOHA)
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