Courtly contexts for Moravian Hanák music in the 17 th and 18th centuries (Registro nro. 123045)

Detalles MARC
000 -LEADER
fixed length control field 01910nab a2200181 c 4500
001 - CONTROL NUMBER
control field myd_86635
003 - CONTROL NUMBER IDENTIFIER
control field ES-MaCDM
005 - DATE AND TIME OF LATEST TRANSACTION
control field 20240917124644.0
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION
fixed length control field 181003s2012 sp ||||fr 00| u|spa u
040 ## - CATALOGING SOURCE
Original cataloging agency ES-MaCDM
100 1# - MAIN ENTRY--PERSONAL NAME
Personal name Rawson, Robert
9 (RLIN) 135693
245 0# - TITLE STATEMENT
Title Courtly contexts for Moravian Hanák music in the 17 th and 18th centuries
Statement of responsibility, etc RAWSON, Robert
260 ## - PUBLICATION, DISTRIBUTION, ETC. (IMPRINT)
Date of publication, distribution, etc 2012:
Name of publisher, distributor, etc Oxford University Press,
Place of publication, distribution, etc London; Oxford
520 ## - SUMMARY, ETC.
Summary, etc RESUMEN: Musical evocations or references to "Hanák" music - refering to the inhabitants of the low-lying plains of central Moravia- appear from the 17th century and become especially popular in the 18 th century. In modern musicology the cultural and musical traits of compositions from the Haná region have been largely overlooked, even though they are singled out for praise by Telemann and others. This article raises several key points. First, to urge caution in ascribing the "folk music" label to evocations of rustic music in courtly repertory. Second is an examination of how Hanák music is used or evoked in courtly contexts. Finally, the first two points are applied to the anonymous Sonata Jucunda (1677-80), which survives at Kromeriz in the heart of tha Haná region, arguing that this work functions along typical lines of evocations of rustic music at court and, in this case, Hanák music in particular. This study not only aims to draw attention to this overlooked and frequently misunderstood region and its music, but also to suggest that evocations of rustic music in courtly contexts generally need more careful consideration if we are to advance our understanding of both courtly and rustic cultures in the 17th and 18th centuries. Keywords: Moravian, Hanák, Vejvanovský, Kromeriz, Czech music, rustic music.
773 0# - HOST ITEM ENTRY
Title Early Music
Host Biblionumber 72886
Record control number myd_16029
Relationship information Vol. 40, núm. 4,Nov. 2012, p. 577
903 ## - LOCAL DATA ELEMENT C, LDC (RLIN)
a 86635
b 86635
942 ## - ADDED ENTRY ELEMENTS (KOHA)
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