John Cranko's Antigone (1959) (Registro nro. 123357)
[ vista simple ]
| 000 -LEADER | |
|---|---|
| fixed length control field | 01915nab a2200193 c 4500 |
| 001 - CONTROL NUMBER | |
| control field | myd_87152 |
| 003 - CONTROL NUMBER IDENTIFIER | |
| control field | ES-MaCDM |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20241001092955.0 |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION | |
| fixed length control field | 181003s2015 stk||||fr 00| u|eng u |
| 040 ## - CATALOGING SOURCE | |
| Original cataloging agency | ES-MaCDM |
| 100 1# - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Bannerman, Henrietta |
| 9 (RLIN) | 101328 |
| 245 0# - TITLE STATEMENT | |
| Title | John Cranko's Antigone (1959) |
| Remainder of title | A Ballet Lost and Found |
| Statement of responsibility, etc | Henrietta Bannerman |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. (IMPRINT) | |
| Date of publication, distribution, etc | 2015 |
| Place of publication, distribution, etc | Edinburgh: |
| Name of publisher, distributor, etc | Edinburgh University Press, |
| 300 ## - PHYSICAL DESCRIPTION | |
| Extent | 16 p. |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc | RESUMEN: John Cranko's dramatic and theatrically powerful Antigone (1959) disappeared from the ballet repertory in 1966 and this essay calls for a reappraisal and restaging of the work for 21st century audiences. Created in a post-World War II environment, and in the wake of appearances in London by the Martha Graham Company and Jerome Robbins' Ballets USA, I point to American influences in Cranko's choreography. However, the discussion of the Greek-themed Antigone involves detailed consideration of the relationship between the ballet and the ancient dramas which inspired it, especially as the programme notes accompanying performances emphasized its Sophoclean source but failed to recognize that Cranko mainly based his ballet on an early play by Jean Racine. As Antigone derives from tragic drama, the essay investigates catharsis, one of the many principles that Aristotle delineated in the Poetics. This well-unknown effect is produced by Greek tragedies but the critics of the era complained about its lack in Cranko's ballet-views which I challenge. There is also an investigation of the role of Antigone, both in the play and in the ballet, and since Cranko created the role for Svetlana Beriosova, I reflect on memories of Beriosova's interpretation supported by more recent viewings of Edmée Wood's 1959 film. |
| 773 0# - HOST ITEM ENTRY | |
| Title | Dance Research |
| Host Biblionumber | 72889 |
| Record control number | myd_16032 |
| Relationship information | Vol. 33, núm. 1, Summer 2015, p. 1 - 15 |
| 903 ## - LOCAL DATA ELEMENT C, LDC (RLIN) | |
| a | 87152 |
| b | 87152 |
| 942 ## - ADDED ENTRY ELEMENTS (KOHA) | |
| Koha item type | Artículos de revista |
| Source of classification or shelving scheme | Other/Generic Classification Scheme |
No hay ítems disponibles.