The Revolt of the Harem on the English Stage (Registro nro. 123358)
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| 000 -LEADER | |
|---|---|
| fixed length control field | 01738nab a2200193 c 4500 |
| 001 - CONTROL NUMBER | |
| control field | myd_87154 |
| 003 - CONTROL NUMBER IDENTIFIER | |
| control field | ES-MaCDM |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20241001092955.0 |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION | |
| fixed length control field | 181003s2015 stk||||fr 00| u|eng u |
| 040 ## - CATALOGING SOURCE | |
| Original cataloging agency | ES-MaCDM |
| 100 1# - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Engelhardt, Molly |
| 9 (RLIN) | 137116 |
| 245 0# - TITLE STATEMENT | |
| Title | The Revolt of the Harem on the English Stage |
| Remainder of title | A Spectacle of Domestic Reform |
| Statement of responsibility, etc | Molly Engelhardt |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. (IMPRINT) | |
| Date of publication, distribution, etc | 2015 |
| Place of publication, distribution, etc | Edinburgh: |
| Name of publisher, distributor, etc | Edinburgh University Press, |
| 300 ## - PHYSICAL DESCRIPTION | |
| Extent | 19 p. |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc | RESUMEN: The Revolt of the Harem was performed in London forty-tree times during the 1834 season to sell-out crowds; it continued to be talked about and staged, in various forms, into the 1850s. The ballet was created by Filippo Taglioni and received its first performance in Paris in 1833; but it was rewritten, restaged and renamed by Alfred Bunn (the Manager of the Theatre Royal, Covent Garden) to add novelty to the English stage and, of course, to sell tickets. While the French production and its reception have received some attention in dance studies, no one has studied the ballet's longevity and popularity in England, where the home was understood as the hallmark of nation but where, also, a ballet about domestic revolt and female solidarity was received enthusiastically. This article recovers the English reception of the ballet to argue that, rather than a more orientalist spectacle to excite audiences and reinforce empire, Revolt of the Harem inspired feminist sentiments and participated in social reform beginning with the Child Custody Act of 1839 enacted better to protect women in their homes and marriages. |
| 773 0# - HOST ITEM ENTRY | |
| Title | Dance Research |
| Host Biblionumber | 72889 |
| Record control number | myd_16032 |
| Relationship information | Vol. 33, núm. 1, Summer 2015, p. 31 - 49 |
| 903 ## - LOCAL DATA ELEMENT C, LDC (RLIN) | |
| a | 87154 |
| b | 87154 |
| 942 ## - ADDED ENTRY ELEMENTS (KOHA) | |
| Koha item type | Artículos de revista |
| Source of classification or shelving scheme | Other/Generic Classification Scheme |
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