Comedy Ballet as Social Commentary (Registro nro. 123360)

Detalles MARC
000 -LEADER
fixed length control field 01208nab a2200193 c 4500
001 - CONTROL NUMBER
control field myd_87167
003 - CONTROL NUMBER IDENTIFIER
control field ES-MaCDM
005 - DATE AND TIME OF LATEST TRANSACTION
control field 20241001092955.0
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION
fixed length control field 181003s2014 stk||||fr 00| u|eng u
040 ## - CATALOGING SOURCE
Original cataloging agency ES-MaCDM
100 1# - MAIN ENTRY--PERSONAL NAME
Personal name Järvinen, Hanna
9 (RLIN) 136301
245 0# - TITLE STATEMENT
Title Comedy Ballet as Social Commentary
Remainder of title Till Eulenspiegel (1916)
Statement of responsibility, etc Hanna Järvinen
260 ## - PUBLICATION, DISTRIBUTION, ETC. (IMPRINT)
Date of publication, distribution, etc 2014
Place of publication, distribution, etc Edinburgh:
Name of publisher, distributor, etc Edinburgh University Press,
300 ## - PHYSICAL DESCRIPTION
Extent 41 p.
520 ## - SUMMARY, ETC.
Summary, etc RESUMEN: In 1916, during the American tours of the Ballets Russes company, Vaslav Nijinsky created a choreography to Richard Strauss's tone poem Till Eulenspiegels lustische Streiche, nach alter Schelmenweise, in Rondo Form (1894-1895). Only performed during the tour, the work was long deemed a failure or an indication of the choreographer's approaching insanity. Tracing the reviews and other contemporary materials, this article asks what can be known of a past performance and rehearsal practice - and what our interpretations of the past reveal of present-day concerns and assumptions about dance as an art form.
773 0# - HOST ITEM ENTRY
Title Dance Research
Host Biblionumber 72889
Record control number myd_16032
Relationship information Vol. 32, núm. 2, Winter 2014, p. 144 - 184
903 ## - LOCAL DATA ELEMENT C, LDC (RLIN)
a 87167
b 87167
942 ## - ADDED ENTRY ELEMENTS (KOHA)
Koha item type Artículos de revista
Source of classification or shelving scheme Other/Generic Classification Scheme

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