Dance Identity, Authenticity and Issues of Interpretation with Specific Reference to the Choreography of Siobhan Davies (Registro nro. 123403)
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fixed length control field | 01037nab a2200193 c 4500 |
001 - CONTROL NUMBER | |
control field | myd_87256 |
003 - CONTROL NUMBER IDENTIFIER | |
control field | ES-MaCDM |
005 - DATE AND TIME OF LATEST TRANSACTION | |
control field | 20241001092957.0 |
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION | |
fixed length control field | 181003s2005 stk||||fr 00| u|eng u |
040 ## - CATALOGING SOURCE | |
Original cataloging agency | ES-MaCDM |
100 1# - MAIN ENTRY--PERSONAL NAME | |
Personal name | Whatley, Sarah |
9 (RLIN) | 103764 |
245 0# - TITLE STATEMENT | |
Title | Dance Identity, Authenticity and Issues of Interpretation with Specific Reference to the Choreography of Siobhan Davies |
Statement of responsibility, etc | Sarah Whatley |
260 ## - PUBLICATION, DISTRIBUTION, ETC. (IMPRINT) | |
Date of publication, distribution, etc | 2005 |
Place of publication, distribution, etc | Edinburgh: |
Name of publisher, distributor, etc | Edinburgh University Press, |
300 ## - PHYSICAL DESCRIPTION | |
Extent | 19 p. |
520 ## - SUMMARY, ETC. | |
Summary, etc | RESUMEN: Choreographers regularly make revisions to their work. Revisions that are made are sometimes significant and can radically alter the dance whilst other changes may be almost invisible to the viewer. In the case of Siobhan Davies, revising dances has become a regular feature of her work. This paper represents a case study, which is designed to shed some further light on this process. |
773 0# - HOST ITEM ENTRY | |
Title | Dance Research |
Host Biblionumber | 72889 |
Record control number | myd_16032 |
Relationship information | Vol. 23, núm. 2, Winter 2005, p. 87 - 105 |
903 ## - LOCAL DATA ELEMENT C, LDC (RLIN) | |
a | 87256 |
b | 87256 |
942 ## - ADDED ENTRY ELEMENTS (KOHA) | |
Koha item type | Artículos de revista |
Source of classification or shelving scheme | Other/Generic Classification Scheme |
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