The Dances of Doris Humphrey - Creating a Contemporary Perspective through Directorial Interpretation (Registro nro. 123404)
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| 000 -LEADER | |
|---|---|
| fixed length control field | 01880nab a2200193 c 4500 |
| 001 - CONTROL NUMBER | |
| control field | myd_87257 |
| 003 - CONTROL NUMBER IDENTIFIER | |
| control field | ES-MaCDM |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20241001092957.0 |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION | |
| fixed length control field | 181003s2005 stk||||fr 00| u|eng u |
| 040 ## - CATALOGING SOURCE | |
| Original cataloging agency | ES-MaCDM |
| 100 1# - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Main, Lesley |
| 9 (RLIN) | 137139 |
| 245 0# - TITLE STATEMENT | |
| Title | The Dances of Doris Humphrey - Creating a Contemporary Perspective through Directorial Interpretation |
| Statement of responsibility, etc | Lesley Main |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. (IMPRINT) | |
| Date of publication, distribution, etc | 2005 |
| Place of publication, distribution, etc | Edinburgh: |
| Name of publisher, distributor, etc | Edinburgh University Press, |
| 300 ## - PHYSICAL DESCRIPTION | |
| Extent | 17 p. |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc | RESUMEN: It has been widely acknowledged that Doris Humphrey and Martha graham were the two most influential exponents of American modern dance. Graham's work has been the more prominent, in part because she outlived Humphrey by thirty-two years and performed for a much longer period. This does not, however, diminish the influence that Humphrey's work has had on modern dance since her death in 1958. More significant, perhaps, is the influence it can have in the future. Humphrey's legacy includes a certain amount of documentary literature, including her seminal book on the craft of choreography, the Art of Making Dances (1959). This article will discuss strategies undertaken to develop a perspective on modern dance production, including the significance of style; the search for a "living past" drawing on the ideas of R. G. Collingwood; the identification, viewing and interpretation of evidence, including the use of a Labanotation score. The production processes employed by a range of artists involved in reconstruction will be considered, and my own practice positioned in relation to this. The notion of co-authorship will be examined within the contexts of these respective practices, illustrated by examples from recent Humphrey productions. |
| 773 0# - HOST ITEM ENTRY | |
| Title | Dance Research |
| Host Biblionumber | 72889 |
| Record control number | myd_16032 |
| Relationship information | Vol. 23, núm. 2, Winter 2005, p. 106 - 122 |
| 903 ## - LOCAL DATA ELEMENT C, LDC (RLIN) | |
| a | 87257 |
| b | 87257 |
| 942 ## - ADDED ENTRY ELEMENTS (KOHA) | |
| Koha item type | Artículos de revista |
| Source of classification or shelving scheme | Other/Generic Classification Scheme |
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