Dances for the Royal Festivities in Madrid in the Sixteenth and Seventeenth Centuries (Registro nro. 123405)

Detalles MARC
000 -LEADER
fixed length control field 02109nab a2200193 c 4500
001 - CONTROL NUMBER
control field myd_87258
003 - CONTROL NUMBER IDENTIFIER
control field ES-MaCDM
005 - DATE AND TIME OF LATEST TRANSACTION
control field 20241001092957.0
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION
fixed length control field 181003s2005 stk||||fr 00| u|eng u
040 ## - CATALOGING SOURCE
Original cataloging agency ES-MaCDM
100 1# - MAIN ENTRY--PERSONAL NAME
Personal name Sánchez Cano, David
9 (RLIN) 137146
245 0# - TITLE STATEMENT
Title Dances for the Royal Festivities in Madrid in the Sixteenth and Seventeenth Centuries
Statement of responsibility, etc David Sánchez Cano
260 ## - PUBLICATION, DISTRIBUTION, ETC. (IMPRINT)
Date of publication, distribution, etc 2005
Place of publication, distribution, etc Edinburgh:
Name of publisher, distributor, etc Edinburgh University Press,
300 ## - PHYSICAL DESCRIPTION
Extent 30 p.
520 ## - SUMMARY, ETC.
Summary, etc RESUMEN: The literature, visual arts and music of Early Modern Spain all testify to the importance of dance across all spectrums of society in a variety of religious and secular occasions. Spanish dance and musical forms have also made their contribution to European dance history, as is well know. Nevertheless, little scholarly attention has been paid to dance in Golden Age Spain, with the notable exception of Lynn Matluck Brooks' works. Thanks to her and other researchers, the dances organized for the annual Corpus Christi festivities are the best known area of Spanish dance history. Secular festivals were also enlivened by dancing, although these have been much less investigated. This article will concentrate on the dances performed during some of the most opulent of secular festivities, the triumphal entries in Madrid, as it has been in the course of research on them that I have come across archival sources unpublished and unstudied till now. They show how the dances for royal festivities closely followed the dominant model of the Corpus Christi festivities, with a similar broad spectrum of themes and forms including dramatic and pantomime elements. During the course of the seventeenth century, however, the main contributors of the dances shifted from the guilds to the villages, with a corresponding standardisation of the subjects for dances. This was paralleled by -and linked to- a growing marginalization of both dancers and dances in the secular festivities.
773 0# - HOST ITEM ENTRY
Title Dance Research
Host Biblionumber 72889
Record control number myd_16032
Relationship information Vol. 23, núm. 2, Winter 2005, p. 123 - 152
903 ## - LOCAL DATA ELEMENT C, LDC (RLIN)
a 87258
b 87258
942 ## - ADDED ENTRY ELEMENTS (KOHA)
Koha item type Artículos de revista
Source of classification or shelving scheme Other/Generic Classification Scheme

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