Modernism's Role in the Theory of John Martin and Edwin Denby (Registro nro. 123419)
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| 000 -LEADER | |
|---|---|
| fixed length control field | 01937nab a2200193 c 4500 |
| 001 - CONTROL NUMBER | |
| control field | myd_87279 |
| 003 - CONTROL NUMBER IDENTIFIER | |
| control field | ES-MaCDM |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20241001092958.0 |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION | |
| fixed length control field | 181003s2004 stk||||fr 00| u|eng u |
| 040 ## - CATALOGING SOURCE | |
| Original cataloging agency | ES-MaCDM |
| 100 1# - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Morris, Gay |
| 9 (RLIN) | 133832 |
| 245 0# - TITLE STATEMENT | |
| Title | Modernism's Role in the Theory of John Martin and Edwin Denby |
| Statement of responsibility, etc | Gay Morris |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. (IMPRINT) | |
| Date of publication, distribution, etc | 2004 |
| Place of publication, distribution, etc | Edinburgh: |
| Name of publisher, distributor, etc | Edinburgh University Press, |
| 300 ## - PHYSICAL DESCRIPTION | |
| Extent | 17 p. |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc | RESUMEN: Martin and Denby are often portrayed in opposition to each other. Particularly during 1940s, when they were writing for major New York newspapers, they appeared to offer competing visions of what an American dance might be. Martin supported a dance of psychological essences and as such favoured modern dance, epitomized by Martha Graham. Denby supported a dance of pure movement, shorn of story-line and in some cases thematic content. He favoured ballet and Balanchine. However, without minimizing their differences, I want to show here that the two men were in closer agreement than is at first apparent. For example, martin held views of what constituted successful ballet that were remarkably close to Denby's. However, it was not so much on specific points that Martin and Denby were aligned, but on a more general theoretical level. I will argue that they were both modernists who emphasized elements that contributed to modernism's commitment to authenticity. Martin and Denby's modernism is significant because it enabled them to position American high-art dance within an international vanguard at a time when the US was emerging as a world leader with an eye to dominating art as well as other spheres of influence. It also allowed them to treat American dance as a means of combating bourgeois rationalization, a key issue of modernity. |
| 773 0# - HOST ITEM ENTRY | |
| Title | Dance Research |
| Host Biblionumber | 72889 |
| Record control number | myd_16032 |
| Relationship information | Vol. 22, núm. 2, Winter 2004, p. 168 - 184 |
| 903 ## - LOCAL DATA ELEMENT C, LDC (RLIN) | |
| a | 87279 |
| b | 87279 |
| 942 ## - ADDED ENTRY ELEMENTS (KOHA) | |
| Koha item type | Artículos de revista |
| Source of classification or shelving scheme | Other/Generic Classification Scheme |
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