The First Nutcracker, the Enchantment of International Relations, and the Franco-Russian Alliance (Registro nro. 125955)

Detalles MARC
000 -LEADER
fixed length control field 01801nab a2200193 c 4500
001 - CONTROL NUMBER
control field myd_90812
003 - CONTROL NUMBER IDENTIFIER
control field ES-MaCDM
005 - DATE AND TIME OF LATEST TRANSACTION
control field 20241001092959.0
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION
fixed length control field 181003s2016 stk||||fr 00| u|eng u
040 ## - CATALOGING SOURCE
Original cataloging agency ES-MaCDM
100 1# - MAIN ENTRY--PERSONAL NAME
Personal name Mahiet, Damien
9 (RLIN) 138145
245 0# - TITLE STATEMENT
Title The First Nutcracker, the Enchantment of International Relations, and the Franco-Russian Alliance
Statement of responsibility, etc Damien Mahiet
260 ## - PUBLICATION, DISTRIBUTION, ETC. (IMPRINT)
Date of publication, distribution, etc 2016
Place of publication, distribution, etc Edinburgh:
Name of publisher, distributor, etc Edinburgh University Press,
300 ## - PHYSICAL DESCRIPTION
Extent 31 p.
520 ## - SUMMARY, ETC.
Summary, etc RESUMEN: Despite the lively scholarly debate on the place of The Sleeping Beauty (1890) in the political and cultural history of the Franco-Russian alliance in the 1890s, the representation of international relations in the first production of The Nutcracker (1892) has so far received little attention. This representation includes the well-known series of character dances in the second act of the ballet, but also the use of French fashion from the revolutionary era to costume the party guests, the mechanical dolls, the toy soldiers, and even Prince Nutcracker. The fairy-tale world offered a frame that not only promoted the absolutist aspirations of Alexander III's regime, but also solved the symbolic challenge of a problematic alliance between republican France and tsarist Russia. The same visual repertoire informed diplomatic life: four years after The Nutcracker, in 1896, the décor for the state visit of Nicholas II and Alexandra Feodorovna in France duplicated that of the fairy-tale world on stage. PALABRAS CLAVE: Imperial ballet, ballet des nations, Alexander III, Tchaikovsky, Vsevlozhsky, Petipa, Ivanov, Third Republic, Franco-Russian alliance, diplomacy
773 ## - HOST ITEM ENTRY
Title Dance Research
Record control number myd_16032
Relationship information Vol. 34, núm. 2, Winter 2016, p. 119 - 149
Host Biblionumber 72889
903 ## - LOCAL DATA ELEMENT C, LDC (RLIN)
a 90812
b 90812
942 ## - ADDED ENTRY ELEMENTS (KOHA)
Koha item type Artículos de revista
Source of classification or shelving scheme Other/Generic Classification Scheme

No hay ítems disponibles.