Hidden Narratives (Registro nro. 125957)
[ vista simple ]
| 000 -LEADER | |
|---|---|
| fixed length control field | 02334nab a2200193 c 4500 |
| 001 - CONTROL NUMBER | |
| control field | myd_90814 |
| 003 - CONTROL NUMBER IDENTIFIER | |
| control field | ES-MaCDM |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20241001092959.0 |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION | |
| fixed length control field | 181003s2016 stk||||fr 00| u|eng u |
| 040 ## - CATALOGING SOURCE | |
| Original cataloging agency | ES-MaCDM |
| 100 1# - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Tomic-Vajagic, Tamara |
| 9 (RLIN) | 138147 |
| 245 ## - TITLE STATEMENT | |
| Title | Hidden Narratives |
| Remainder of title | Dancers' Conceptualisations of Noncharacter Roles in Leotard Ballets by George Balanchine and William Forsythe |
| Statement of responsibility, etc | Tamara Tomic-Vajagic |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. (IMPRINT) | |
| Date of publication, distribution, etc | 2016 |
| Place of publication, distribution, etc | Edinburgh: |
| Name of publisher, distributor, etc | Edinburgh University Press, |
| 300 ## - PHYSICAL DESCRIPTION | |
| Extent | 32 p. |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc | RESUMEN: The study of dancers' relationships with their noncharacter solo roles in leotard ballets by George Balanchine and Willian Forsythe reveals a dynamic cluster of flexible and multifaceted conceptualisations. Performers' process includes a range of abstract images, nonfictional and docufictional ideas, metaphoric allusions and storyboarding constructions. Drawing upon Michael Kirby's concept of non-matrixed performing (1987), as well as on ideas from dance aesthetics, narratology, theatre and film theories, noncharacter roles are understood as partly flexible, diverse performing frameworks that contain ambiguity but do not promote characterization. The findings suggest that the dissolution of character traits in plotless choreography often serves as a catalyst for the performers' polyvalent expressions of their artistic identities, value systems and agency. Observation of performances, in conjunction with direct interviews with expert dancers from several international ballet companies, brings to light the links between the performer's ideas and the effects observable in the dance. Attention to the performers' approaches and aspects of the work which they wish to emphasise reveals less observed aspects of dance text and illuminates the nature of the ballet dancer's qualitative contribution in non-narrative choreography. PALABRAS CLAVE: Dancer, Ballet, Noncharecter role, George Balanchine, William Forsythe, New York City Ballet, Frankfurt Ballet, The National Ballet of Canada, The Royal Ballet, Leotard ballet, Abstraction, Dancer's identity, Creative process, Dancer's agency, Non-narrative ballet, Dancer's interpretation, Docufiction |
| 773 0# - HOST ITEM ENTRY | |
| Title | Dance Research |
| Record control number | myd_16032 |
| Relationship information | Vol. 34, núm. 2, Winter 2016, p. 170-201 |
| Host Biblionumber | 72889 |
| 903 ## - LOCAL DATA ELEMENT C, LDC (RLIN) | |
| a | 90814 |
| b | 90814 |
| 942 ## - ADDED ENTRY ELEMENTS (KOHA) | |
| Koha item type | Artículos de revista |
| Source of classification or shelving scheme | Other/Generic Classification Scheme |
No hay ítems disponibles.