Shaping Europe's First Dance Craze - The Role of Napoleon's Grande Armée in the Dissemination of the Quadrille (1795-1815) (Registro nro. 126033)

Detalles MARC
000 -LEADER
fixed length control field 02140nab a2200193 c 4500
001 - CONTROL NUMBER
control field myd_90920
003 - CONTROL NUMBER IDENTIFIER
control field ES-MaCDM
005 - DATE AND TIME OF LATEST TRANSACTION
control field 20241001093000.0
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION
fixed length control field 181003s2018 stk||||fr 00| u|eng u
040 ## - CATALOGING SOURCE
Original cataloging agency ES-MaCDM
100 1# - MAIN ENTRY--PERSONAL NAME
Personal name Vanistendael, Cornelis
9 (RLIN) 138164
245 0# - TITLE STATEMENT
Title Shaping Europe's First Dance Craze - The Role of Napoleon's Grande Armée in the Dissemination of the Quadrille (1795-1815)
Statement of responsibility, etc Cornelis Vanistendael
Remainder of title Case Studies in Cultural Mobility from the Southern Netherlands
260 ## - PUBLICATION, DISTRIBUTION, ETC. (IMPRINT)
Date of publication, distribution, etc 2018
Place of publication, distribution, etc Edinburgh:
Name of publisher, distributor, etc Edinburgh University Press,
300 ## - PHYSICAL DESCRIPTION
Extent 21 p.
520 ## - SUMMARY, ETC.
Summary, etc RESUMEN: The first decade-and-a-half of the nineteenth century witnessed the unusually-speedy dissemination of a new dance, the quadrille, over a vast territory. The traditional channels of dissemination cannot account for this astonishing process. The circumstances of the Napoleonic wars disrupted the functioning of institutions, publishing and networks of patronage. This article proposes an alternative explanation for the rapid rise of the quadrille. It explores aspects of the quadrille. During winter campaigns, French forces organized dance lessons on a massive scale. They encouraged peer-to-peer tutoring. Moreover, the organization of Napoleon's army allowed the formation of networks that were unaffected by the social constraints acting on appropriation processes in civil society. The process is a fine demonstration of the concept of cultural mobility. Although the question of the dissemination of the waltz is of equal importance during the era under study, it will not be addressed here. The origins of the waltz lie in a more distant past and concern a different culture sphere. The case of the quadrille is a broad European phenomenon. To get a Hold on it, this article focuses on case studies from the Southern Netherlands and the principality of Liège, a territory which approximates to contemporary Belgium. PALABRAS CLAVE: social dancing, quadrille dancing, Napoleonic wars, dance craze
773 0# - HOST ITEM ENTRY
Title Dance Research
Host Biblionumber 72889
Record control number myd_16032
Relationship information Vol. 36, núm. 1,Summer 2018, p. 91 - 112
903 ## - LOCAL DATA ELEMENT C, LDC (RLIN)
a 90920
b 90920
942 ## - ADDED ENTRY ELEMENTS (KOHA)
Koha item type Artículos de revista
Source of classification or shelving scheme Other/Generic Classification Scheme

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