Unearthing the Spirit (Registro nro. 126046)
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| 000 -LEADER | |
|---|---|
| fixed length control field | 01742nab a2200193 c 4500 |
| 001 - CONTROL NUMBER | |
| control field | myd_90933 |
| 003 - CONTROL NUMBER IDENTIFIER | |
| control field | ES-MaCDM |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20241001093001.0 |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION | |
| fixed length control field | 181003s2017 stk||||fr 00| u|eng u |
| 040 ## - CATALOGING SOURCE | |
| Original cataloging agency | ES-MaCDM |
| 100 1# - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Bing-Heidecker, Liora |
| Dates associated with a name | 1949- |
| 245 0# - TITLE STATEMENT | |
| Title | Unearthing the Spirit |
| Statement of responsibility, etc | Liora Bing-Heidecker |
| Remainder of title | The Archaeological Metaphor and the Uncanny Pathology of Romantic Ballet |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. (IMPRINT) | |
| Date of publication, distribution, etc | 2017 |
| Place of publication, distribution, etc | Edinburgh: |
| Name of publisher, distributor, etc | Edinburgh University Press, |
| 300 ## - PHYSICAL DESCRIPTION | |
| Extent | 22 p. |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc | RESUMEN: This article draws on Théophile Gautier's dance writing and Sigmund Freud's psychological tenets to explore major concepts of the romantic ballet and argue that the latter presents a hitherto ignored link between two apparently detached disciplines: archaeology and psychoanalysis. The thesis suggests that the romantic ballet assimilated, via Gautier, the highly popular archaeological metaphor of the mid nineteenth century. Its resulting aesthetic therefore bears the distinct marks of the uncanny, a psychoanalytical notion formulated later, yet stimulated by the same archaeological inspiration. Consequently I contend that the romantic ballet anticipated and materialized some current critical notions such as liminality, ambiguity and hauntology, deriving from Freud's theories. Historicizing the ballerina as a personification of ballet's uncanny pathology offers a contemporary perspective on the romantic theatrical dance and illuminates its relevance to post modernist culture. PALABRAS CLAVE: Uncanny, Archaeological Metaphor, Romantic Ballet, Hauntology, Gautier, Freud, Derrida, Lacan |
| 773 0# - HOST ITEM ENTRY | |
| Title | Dance Research |
| Host Biblionumber | 72889 |
| Record control number | myd_16032 |
| Relationship information | Vol. 35, núm. 2, Winter 2017, p. 165 - 186 |
| 903 ## - LOCAL DATA ELEMENT C, LDC (RLIN) | |
| a | 90933 |
| b | 90933 |
| 942 ## - ADDED ENTRY ELEMENTS (KOHA) | |
| Koha item type | Artículos de revista |
| Source of classification or shelving scheme | Other/Generic Classification Scheme |
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