Between Commodification and Emancipation (Registro nro. 126063)
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| 000 -LEADER | |
|---|---|
| fixed length control field | 01956nab a2200193 c 4500 |
| 001 - CONTROL NUMBER | |
| control field | myd_90950 |
| 003 - CONTROL NUMBER IDENTIFIER | |
| control field | ES-MaCDM |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20241001093002.0 |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION | |
| fixed length control field | 181003s2017 stk||||fr 00| u|eng u |
| 040 ## - CATALOGING SOURCE | |
| Original cataloging agency | ES-MaCDM |
| 100 1# - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Gritzner, Karoline |
| Dates associated with a name | 1949- |
| 245 0# - TITLE STATEMENT | |
| Title | Between Commodification and Emancipation |
| Statement of responsibility, etc | Karoline Gritzner |
| Remainder of title | The Tango Encounter |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. (IMPRINT) | |
| Date of publication, distribution, etc | 2017 |
| Place of publication, distribution, etc | Edinburgh: |
| Name of publisher, distributor, etc | Edinburgh University Press, |
| 300 ## - PHYSICAL DESCRIPTION | |
| Extent | 11 p. |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc | RESUMEN: This article offers an examination if the aesthetics and philosophy of Argentine tango, arguing for tango's contradictory power of resistance to the tendency of cultural commodification in contemporary society. The dancing couple achieves a sense of sovereignty and improvisational freedom which is in tension with the increasing commodification and standardisation of art in the age of the globalization. Written partly from an auto-ethnographic, experience-based perspective, the article foregrounds tango's choreography of otherness, relationality, passion and playful improvisation in an attempt to elaborate on tango's significance as a dance of intimate resistance to political economy. What is produced in tango's "space of touch" remains unproductive, unexplainable, and non-commodifiable. It is argued that Argentine tango might be able to resist total codification due to its improvisational nature and the politics of touch, passion and transgression that emerge from the ephemerality of the encounter, the ineffable "tango moment". Tango here is considered as a subversion of the social framing which it nevertheless needs in order to function; it performs the possibility of a transgression, intimately yet publicly. PALABRAS CLAVE: dance, Argentine tango, philosophy, commodification, politics of touch, space, passion, desire, transgression |
| 773 0# - HOST ITEM ENTRY | |
| Title | Dance Research |
| Host Biblionumber | 72889 |
| Record control number | myd_16032 |
| Relationship information | Vol. 35, núm. 1, Summer 2017, p. 49 - 60 |
| 903 ## - LOCAL DATA ELEMENT C, LDC (RLIN) | |
| a | 90950 |
| b | 90950 |
| 942 ## - ADDED ENTRY ELEMENTS (KOHA) | |
| Koha item type | Artículos de revista |
| Source of classification or shelving scheme | Other/Generic Classification Scheme |
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