The Convergence of Dancing and Drawing Practices in the Reing of Louis XIV (Registro nro. 126090)
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| fixed length control field | 02387nab a2200217 c 4500 |
| 001 - CONTROL NUMBER | |
| control field | myd_90977 |
| 003 - CONTROL NUMBER IDENTIFIER | |
| control field | ES-MaCDM |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20241001093004.0 |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION | |
| fixed length control field | 181003s2016 stk||||fr 00| u|eng u |
| 040 ## - CATALOGING SOURCE | |
| Original cataloging agency | ES-MaCDM |
| 100 1# - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Bouffard, Mickaël |
| 9 (RLIN) | 138197 |
| 245 0# - TITLE STATEMENT | |
| Title | The Convergence of Dancing and Drawing Practices in the Reing of Louis XIV |
| Statement of responsibility, etc | Mickaël Bouffard; traducción por Margaret M.McGowan |
| Remainder of title | Costume Designs from the Edmond de Rothschild Collection in the Louvre |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. (IMPRINT) | |
| Date of publication, distribution, etc | 2016 |
| Place of publication, distribution, etc | Edinburgh: |
| Name of publisher, distributor, etc | Edinburgh University Press, |
| 300 ## - PHYSICAL DESCRIPTION | |
| Extent | 30 p. |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc | RESUMEN: This Article takes as its starting point the large corpus of costume drawings contained in the Edmond de Rothschild collection in the Louvre. This corpus represents a significant fraction of the works from the 17th and 18th centuries built up by the collector Claude Pioche du Rondray with the intention of publishing an illustrated history of French spectacle. An attempt is made here to set aside the view that choreographic images from the Ancien Regime cannot be used as a source for understanding the technical aspect of dancing from that time. While accepting that no image can be entirely trustworthy, it is nonetheless the case that the true nature of choreographic art from the reign of Louis XIV can be discovered from the way the skirt is held in the minuet, from the coordination of arms and legs in opposition, and from the double bend of the elbows or the high positioning of the arms. Study of these precise examples also helps to date the introduction of certain dance movements and to clarify certain choreographic descriptions. Thus, in order to select and exploit images of the dance as useful sources of information, this article argues that the scholar must bring together a deep knowledge of technique and a familiarity with the workshop practices used by artist to reduce their production time whether through borrowing postures from other images or making etched silhouettes. PALABRAS CLAVE: Dance iconography; costume drawings; dance technique; workshop practices; Claude Pioche du Rondray; Jean Berain; Henri Gissey; Henri Bonnart |
| 700 1# - ADDED ENTRY--PERSONAL NAME | |
| Personal name | La Gorce, Jérôme De |
| 9 (RLIN) | 136457 |
| 700 1# - ADDED ENTRY--PERSONAL NAME | |
| Personal name | McGowan, Margaret M. |
| Relator term | Traductor |
| Dates associated with a name | 1931- |
| 9 (RLIN) | 112474 |
| 773 ## - HOST ITEM ENTRY | |
| Title | Dance Research |
| Record control number | myd_16032 |
| Relationship information | Vol. 34, núm. 1, Summer 2016, p. 1 - 29 |
| Host Biblionumber | 72889 |
| 903 ## - LOCAL DATA ELEMENT C, LDC (RLIN) | |
| a | 90977 |
| b | 90977 |
| 942 ## - ADDED ENTRY ELEMENTS (KOHA) | |
| Koha item type | Artículos de revista |
| Source of classification or shelving scheme | Other/Generic Classification Scheme |
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