Hip Hop Battles and Facial Interexts (Registro nro. 126093)
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| 000 -LEADER | |
|---|---|
| fixed length control field | 01662nab a2200193 c 4500 |
| 001 - CONTROL NUMBER | |
| control field | myd_90980 |
| 003 - CONTROL NUMBER IDENTIFIER | |
| control field | ES-MaCDM |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20241001093004.0 |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION | |
| fixed length control field | 181003s2016 stk||||fr 00| u|eng u |
| 040 ## - CATALOGING SOURCE | |
| Original cataloging agency | ES-MaCDM |
| 100 1# - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Dodds, Sherril |
| Dates associated with a name | 1967- |
| 9 (RLIN) | 138198 |
| 245 0# - TITLE STATEMENT | |
| Title | Hip Hop Battles and Facial Interexts |
| Statement of responsibility, etc | Sherril Dodds |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. (IMPRINT) | |
| Date of publication, distribution, etc | 2016 |
| Place of publication, distribution, etc | Edinburgh: |
| Name of publisher, distributor, etc | Edinburgh University Press, |
| 300 ## - PHYSICAL DESCRIPTION | |
| Extent | 21 p. |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc | RESUMEN: Hip hop dance battles are organized around a face-to-face danced exchange and, although dancers mobilize a diverse range of facial expression, scarcely any scholarly work addresses the face as a choreographic device. Several scholars, however, have noted that hip hip battles are dialogic or conversational in style, and I assert that dancers strategically employ facial expression to challenge and comment upon their opponents. In this article, I draw on the theory of intertextuality, and in particular Henry Louis Gate's concept of signifyin(g), to show how dancers deploy facial choreography as a mode of embodied articulation. Based on an ethnography of hip hop battles in Philadelphia, I examine the choreography of facial expression in four particular ways: as a strategy to signal generic particularity; to make commentary on the actions of other body parts; to create dialogic exchange between other faces at the battle event; and to reference facial intertexts from the broader popular culture. PALABRAS CLAVE: hip hop, facial expression, intertextuality, genre, signifyin(g) |
| 773 ## - HOST ITEM ENTRY | |
| Title | Dance Research |
| Record control number | myd_16032 |
| Relationship information | Vol. 34, núm. 1, Summer 2016, p. 63 - 83 |
| Host Biblionumber | 72889 |
| 903 ## - LOCAL DATA ELEMENT C, LDC (RLIN) | |
| a | 90980 |
| b | 90980 |
| 942 ## - ADDED ENTRY ELEMENTS (KOHA) | |
| Koha item type | Artículos de revista |
| Source of classification or shelving scheme | Other/Generic Classification Scheme |
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