Beyond Binarism (Registro nro. 126094)
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| 000 -LEADER | |
|---|---|
| fixed length control field | 02183nab a2200205 c 4500 |
| 001 - CONTROL NUMBER | |
| control field | myd_90981 |
| 003 - CONTROL NUMBER IDENTIFIER | |
| control field | ES-MaCDM |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20241001093004.0 |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION | |
| fixed length control field | 181003s2016 stk||||fr 00| u|eng u |
| 040 ## - CATALOGING SOURCE | |
| Original cataloging agency | ES-MaCDM |
| 100 1# - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Lo Iacono, Valeria |
| Dates associated with a name | 1944- |
| 245 0# - TITLE STATEMENT | |
| Title | Beyond Binarism |
| Statement of responsibility, etc | Valeria Lo Iacono; David H.K.Brown |
| Remainder of title | Exploring a Model of Living Cultural Heritage for Dance |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. (IMPRINT) | |
| Date of publication, distribution, etc | 2016 |
| Place of publication, distribution, etc | Edinburgh: |
| Name of publisher, distributor, etc | Edinburgh University Press, |
| 300 ## - PHYSICAL DESCRIPTION | |
| Extent | 21 p. |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc | RESUMEN: This essay, inspired by the 2003 UNESCO Convention for the Safeguarding of Intangible Cultural Heritage, explores meanings and definitions of the term "cultural heritage" as it may be applied to dance. UNESCO's effort to include many different types of human expressions in its lists is commendable and an important attempt to safeguard the aspects of the world's cultural heritage. However, the binary oppositions of "tangible"/"intangible", frequently used to describe material and immaterial elements of culture and heritage create a false dichotomy. This label is particularly problematic for dance, given its complex, multi-dimensional nature in which intangible and tangible elements are indissolubly linked. Instead, we suggest an alternative perspective of "living cultural heritage" which is informed by three post-dualist conceptions contained within Gidden's Structuration theory (structure-agency), Merleau-Ponty's phenomenology (mind-body) and Bourdieu's theory of cultural practice (field-practice-habitus). This essay introduces the idea of a living cultural heritage by using the above post-dualist concepts as a stepping stone towards a more inclusive and fluid model of heritage. In this model, the cultural, embodied, practical, spatial, temporal and artefactual elements of cultural heritage are retained as each contributes to an emergent process of exchange and dialogue resulting in cultural heritage. PALABRAS CLAVE: Body; dance; intangible cultural heritage; dualism; duality; UNESCO |
| 700 1# - ADDED ENTRY--PERSONAL NAME | |
| Personal name | Brown, David |
| Dates associated with a name | 1968- |
| 9 (RLIN) | 138200 |
| 773 ## - HOST ITEM ENTRY | |
| Title | Dance Research |
| Record control number | myd_16032 |
| Relationship information | Vol. 34, núm. 1, Summer 2016, p. 84 - 105 |
| Host Biblionumber | 72889 |
| 903 ## - LOCAL DATA ELEMENT C, LDC (RLIN) | |
| a | 90981 |
| b | 90981 |
| 942 ## - ADDED ENTRY ELEMENTS (KOHA) | |
| Koha item type | Artículos de revista |
| Source of classification or shelving scheme | Other/Generic Classification Scheme |
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