Serge Lifar as a Dance Historian and the Myth of Russian Dance in Zarubezhnaia Rossiia (Russia Abroad) 1930-1940 (Registro nro. 126117)
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| fixed length control field | 02808nab a2200193 c 4500 |
| 001 - CONTROL NUMBER | |
| control field | myd_91004 |
| 003 - CONTROL NUMBER IDENTIFIER | |
| control field | ES-MaCDM |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20241001093005.0 |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION | |
| fixed length control field | 181003s2014 stk||||fr 00| u|eng u |
| 040 ## - CATALOGING SOURCE | |
| Original cataloging agency | ES-MaCDM |
| 100 1# - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Veroli, Patrizia |
| Dates associated with a name | 1947- |
| 9 (RLIN) | 103628 |
| 245 0# - TITLE STATEMENT | |
| Title | Serge Lifar as a Dance Historian and the Myth of Russian Dance in Zarubezhnaia Rossiia (Russia Abroad) 1930-1940 |
| Statement of responsibility, etc | Patrizia Veroli |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. (IMPRINT) | |
| Date of publication, distribution, etc | 2014 |
| Place of publication, distribution, etc | Edinburgh: |
| Name of publisher, distributor, etc | Edinburgh University Press, |
| 300 ## - PHYSICAL DESCRIPTION | |
| Extent | 39 p. |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc | RESUMEN: Serge Lifar built his career during the 1930s, a decade crucial to understanding his 'années noires" - or "black years", as the French historian Henry Rousso called the period of the German occupation of Paris (1940-1944). Lifar's powerful and respected position at the Paris Opéra, the social connections he had built and maintained and the psychological impact of exile: all these elements help clarify Lifar's accommodating attitude towards the German occupants of his adopted city. During the 1930s Lifar came to be accepted in French intellectual society as the "heir" of Serge Diaghilev. Through his publications he made a powerful contribution to the process by which Diaghilev's Ballets Russes assumed its paramount position in the development of modern ballet, a process set in motion by the impresario himself. Lifar played this role chiefly in France. In the English-speaking world, where relatively few of his books appeared in translation, other writers served to canonize the Diaghilev endeavor, albeit for somewhat different ends. A list of Lifar's publications in Russian and other languages (French above all) displays the growing influence of his actions and authority, the power of his connections (inherited primarily from Diaghilev), and his relentless will to overcome the problems of emigration as he secured not only success as a dancer and choreographer but also a public reputation as an intellectual. The recent discovery of new evidence has led to the identification of the respected Pushkin authority Modeste Hofmann as the writer whose unacknowledged work enable Lifar to establish himself as an historian. This evidence, provided by Hofmann's grandsons André and Vladimir Hofmann, raises serious question about the authority of Lifar's books. An interplay of subjective relationship is woven into the texture of these narratives in which survival and ambition, a paternal attitude and filial respect, exist in constant tension. Neither the making of these books nor the myth of Russian dance which they espouse can be understood without placing their authors in the milieu they shared in Paris as Russian émigrés. |
| 773 0# - HOST ITEM ENTRY | |
| Title | Dance Research |
| Host Biblionumber | 72889 |
| Record control number | myd_16032 |
| Relationship information | Vol. 32, núm. 2, Winter 2014, p. 105 - 143 |
| 903 ## - LOCAL DATA ELEMENT C, LDC (RLIN) | |
| a | 91004 |
| b | 91004 |
| 942 ## - ADDED ENTRY ELEMENTS (KOHA) | |
| Koha item type | Artículos de revista |
| Source of classification or shelving scheme | Other/Generic Classification Scheme |
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