Dance against History (Registro nro. 126144)
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| 000 -LEADER | |
|---|---|
| fixed length control field | 02152nab a2200205 c 4500 |
| 001 - CONTROL NUMBER | |
| control field | myd_91031 |
| 003 - CONTROL NUMBER IDENTIFIER | |
| control field | ES-MaCDM |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20241001093006.0 |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION | |
| fixed length control field | 181003s2013 stk||||fr 00| u|eng u |
| 040 ## - CATALOGING SOURCE | |
| Original cataloging agency | ES-MaCDM |
| 100 1# - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Hammond, Helena |
| Dates associated with a name | 1924 - |
| 245 0# - TITLE STATEMENT | |
| Title | Dance against History |
| Statement of responsibility, etc | Helena Hammond |
| Remainder of title | (The Royal) Ballet, Forsythe, Foucault, Brecht, and the BBC |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. (IMPRINT) | |
| Date of publication, distribution, etc | 2013 |
| Place of publication, distribution, etc | Edinburgh: |
| Name of publisher, distributor, etc | Edinburgh University Press, |
| 300 ## - PHYSICAL DESCRIPTION | |
| Extent | 24 p. |
| 500 ## - GENERAL NOTE | |
| General note | Celebrando treinta años de Society Dance Research. |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc | RESUMEN: On 5 July 1997, The Royal Ballet danced William Forsythe's Steptext as part of a final programme at its Royal Opera House home before the theatre closed for an extensive Millennial programme of rebuilding. Filmed by the BBC, the performance was televised as part of the 1997 Christmas schedule. This paper explores the striking parallels between the institutional critique staged by Steptext and the liberal deconstruction which the Royal Opera House was about to undergo. It considers how the programme debates Covent Garden as British cultural institution just as the reconstruction of the Royal Opera House was imminent. Focusing first on Steptext's post-structuralist desire to excavate, disrupt, and disavow the apparently logical structures which have shaped the governing institutions of western performance, it moves to consider how the BBC programme makers co-opted, and extended to the fabric of the Royal Opera House itself, ballet's same potential to critique its own institutional history enshrined in Steptext. Having argued that Brecht might be an especially apt ally in Forsythe's realization, through performance, of some of the fundamental tenets of Foucauldian theory, those relating to Foucault's re-conceptualisation of history especially, this paper moves finally to propose the performance and televisual adaptation of Steptext as a portal into new modes of reading the post-war Royal Ballet as Foucauldian subjugated, or effective, history. |
| 773 0# - HOST ITEM ENTRY | |
| Title | Dance Research |
| Host Biblionumber | 72889 |
| Record control number | myd_16032 |
| Relationship information | Vol. 31, núm. 2, Winter 2013, p. 120 - 143 |
| 903 ## - LOCAL DATA ELEMENT C, LDC (RLIN) | |
| a | 91031 |
| b | 91031 |
| 942 ## - ADDED ENTRY ELEMENTS (KOHA) | |
| Koha item type | Artículos de revista |
| Source of classification or shelving scheme | Other/Generic Classification Scheme |
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