Recovering and Reanimating "Lost" Traces (Registro nro. 126145)

Detalles MARC
000 -LEADER
fixed length control field 02026nab a2200205 c 4500
001 - CONTROL NUMBER
control field myd_91032
003 - CONTROL NUMBER IDENTIFIER
control field ES-MaCDM
005 - DATE AND TIME OF LATEST TRANSACTION
control field 20241001093007.0
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION
fixed length control field 181003s2013 stk||||fr 00| u|eng u
040 ## - CATALOGING SOURCE
Original cataloging agency ES-MaCDM
100 1# - MAIN ENTRY--PERSONAL NAME
Personal name Whatley, Sarah
Dates associated with a name 1924 -
245 0# - TITLE STATEMENT
Title Recovering and Reanimating "Lost" Traces
Statement of responsibility, etc Sarah Whatley
Remainder of title The Digital Archiving of the Rehearsal Process in Siobhan Davies Replay
260 ## - PUBLICATION, DISTRIBUTION, ETC. (IMPRINT)
Date of publication, distribution, etc 2013
Place of publication, distribution, etc Edinburgh:
Name of publisher, distributor, etc Edinburgh University Press,
300 ## - PHYSICAL DESCRIPTION
Extent 13 p.
500 ## - GENERAL NOTE
General note Celebrando treinta años de Society Dance Research.
520 ## - SUMMARY, ETC.
Summary, etc RESUMEN: Siobhan Davies RePlay provides open access to a significant collection of performances, photographs, and text-based materials, and includes a large number of rehearsal tapes that offer a unique insight to the dance making process. Following the development of simple capture technologies. Davies' dancers have recorded and reviewed their own movement experiments or "scratches". These previously private memory objects enter the public domain via the archive. Though raw and unedited captures they become traces of an intelligent process that is rarely available for public scrutiny. When made available alongside films and other documents relating to performances, these scratches offer a unique insight to the choices made by the artists; what through their inclusion in the archive, and when distributed online. This article examines the extent to which the tapes generate new readings of dance, transmit new knowledge, create new kinds of tools for reconstruction and/or prompt a reconsideration of the relationship between dancer, choreographer and audience to re-conceptualise the dance-making process. It will be argued that the tapes broaden expectations of what is traditionally held within an archive, revealing the rich potential for dance archives to enhance and enrich our understanding of dance.
773 0# - HOST ITEM ENTRY
Title Dance Research
Host Biblionumber 72889
Record control number myd_16032
Relationship information Vol. 31, núm. 2, Winter 2013, p. 144 - 156
903 ## - LOCAL DATA ELEMENT C, LDC (RLIN)
a 91032
b 91032
942 ## - ADDED ENTRY ELEMENTS (KOHA)
Koha item type Artículos de revista
Source of classification or shelving scheme Other/Generic Classification Scheme

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