The National Association of Dance and Mime Animateurs (1986-9) (Registro nro. 126146)

Detalles MARC
000 -LEADER
fixed length control field 02316nab a2200205 c 4500
001 - CONTROL NUMBER
control field myd_91033
003 - CONTROL NUMBER IDENTIFIER
control field ES-MaCDM
005 - DATE AND TIME OF LATEST TRANSACTION
control field 20241001093007.0
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION
fixed length control field 181003s2013 stk||||fr 00| u|eng u
040 ## - CATALOGING SOURCE
Original cataloging agency ES-MaCDM
100 1# - MAIN ENTRY--PERSONAL NAME
Personal name Stevens, Jayne
Dates associated with a name 1924 -
245 0# - TITLE STATEMENT
Title The National Association of Dance and Mime Animateurs (1986-9)
Statement of responsibility, etc Jayne Stevens
Remainder of title A Community of Practice
260 ## - PUBLICATION, DISTRIBUTION, ETC. (IMPRINT)
Date of publication, distribution, etc 2013
Place of publication, distribution, etc Edinburgh:
Name of publisher, distributor, etc Edinburgh University Press,
300 ## - PHYSICAL DESCRIPTION
Extent 17 p.
500 ## - GENERAL NOTE
General note Celebrando treinta años de Society Dance Research.
520 ## - SUMMARY, ETC.
Summary, etc RESUMEN: The Foundation for Community Dance is the national lead body for community dance in the UK. It has been at the forefront of the development of community dance in Britain continuously for over twenty five years. It began, in 1986, as the national Association of Dance and Mime Animateurs (NADMA). This professional association of dance practitioners (referred to at the time as animateurs) sought to raise awareness of a newly identified profession and provide a forum for the dissemination of the forms, working processes and techniques needed to work successfully in community settings. This paper seeks to instigate a critical assessment of NADMA's work by considering it in relation to theoretical debates concerning cultural provision and pedagogic practice of the time and, subsequently, to the theory of communities of practice. The paper considers the cultural and educational policy contexts within which the dance animateurs, who formed and ran the association, worked. This help explain the multiple demands and tensions, inherent in the cultural and pedagogic politics of the time, to which the profession was subject. The paper suggests that these were ultimately managed through the cooperative and collective working of NADMA members. In the five years following NADMA's formation some key parameters for dance development in Britain were established. The paper suggests that NADMA made a significant contribution to such development by helping to create a more integrated, adaptable dance profession and an infrastructure for participatory dance that pre-figured the national dance agency network of the 1990s.
773 0# - HOST ITEM ENTRY
Title Dance Research
Host Biblionumber 72889
Record control number myd_16032
Relationship information Vol. 31, núm. 2, Winter 2013, p. 157 - 173
903 ## - LOCAL DATA ELEMENT C, LDC (RLIN)
a 91033
b 91033
942 ## - ADDED ENTRY ELEMENTS (KOHA)
Koha item type Artículos de revista
Source of classification or shelving scheme Other/Generic Classification Scheme

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