Dance and Cultural Memory (Registro nro. 126153)

Detalles MARC
000 -LEADER
fixed length control field 01842nab a2200193 c 4500
001 - CONTROL NUMBER
control field myd_91040
003 - CONTROL NUMBER IDENTIFIER
control field ES-MaCDM
005 - DATE AND TIME OF LATEST TRANSACTION
control field 20241001093007.0
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION
fixed length control field 181003s2013 stk||||fr 00| u|eng u
040 ## - CATALOGING SOURCE
Original cataloging agency ES-MaCDM
100 1# - MAIN ENTRY--PERSONAL NAME
Personal name Buckland, Theresa Jill
9 (RLIN) 136458
245 0# - TITLE STATEMENT
Title Dance and Cultural Memory
Remainder of title Interpreting Fin de Siècle Performances of "Olde England"
Statement of responsibility, etc Theresa Jill Buckland
260 ## - PUBLICATION, DISTRIBUTION, ETC. (IMPRINT)
Date of publication, distribution, etc 2013
Place of publication, distribution, etc Edinburgh:
Name of publisher, distributor, etc Edinburgh University Press,
300 ## - PHYSICAL DESCRIPTION
Extent 38 p.
520 ## - SUMMARY, ETC.
Summary, etc RESUMEN: In late Victorian and Edwardian England, these existed in performance and in popular historical imagination, a cultural memory of the nation´s ancient dances. This national repertoire had largely been constructued through nineteenth-century romantic imagery of "olde" and "merrie" England and appeared across a wide variety of genres and contexts. Alongside the morris, country and maypole dances were courtly dances such as the minuet and gavotte which were fashionable at costume balls, salons and on the stage. These dances were also taught to children of the middle and lower classes as a means of embodying what were regarded as earlier more civised ways of moving and social interaction, as well as celebrating and engedering a vision of England as happy and communal. This article explores this fascination with England´s so called ancient dances, in particular, the Victorian rococo minuet, as a historically and socially situated menifestation of cultural memory. It raises issues of danceand nationalism, the transmission of fashionable dances across country and class, the recycling of dance imagery and practice, and the trend towards authentication in the revival of dances popular consumption.
773 0# - HOST ITEM ENTRY
Title Dance Research
Host Biblionumber 72889
Record control number myd_16032
Relationship information Vol. 31, núm. 1, Summer 2013, p. 29 - 66
903 ## - LOCAL DATA ELEMENT C, LDC (RLIN)
a 91040
b 91040
942 ## - ADDED ENTRY ELEMENTS (KOHA)
Koha item type Artículos de revista
Source of classification or shelving scheme Other/Generic Classification Scheme

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