Laban's Choreosophical Model (Registro nro. 126166)
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| 000 -LEADER | |
|---|---|
| fixed length control field | 02352nab a2200193 c 4500 |
| 001 - CONTROL NUMBER | |
| control field | myd_91053 |
| 003 - CONTROL NUMBER IDENTIFIER | |
| control field | ES-MaCDM |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20241001093008.0 |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION | |
| fixed length control field | 181003s2012 stk||||fr 00| u|eng u |
| 040 ## - CATALOGING SOURCE | |
| Original cataloging agency | ES-MaCDM |
| 100 1# - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Sutil, Nicolás Salazar |
| Dates associated with a name | 1937- |
| 245 0# - TITLE STATEMENT | |
| Title | Laban's Choreosophical Model |
| Statement of responsibility, etc | Nicolas Salazar Sutil |
| Remainder of title | Movement Visualisation Analysis and the Graphic Media Approach to Dance Studies |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. (IMPRINT) | |
| Date of publication, distribution, etc | 2012 |
| Place of publication, distribution, etc | Edinburgh: |
| Name of publisher, distributor, etc | Edinburgh University Press, |
| 300 ## - PHYSICAL DESCRIPTION | |
| Extent | 22 p. |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc | RESUMEN: This paper explores the impact Ridolf Laban´s graphic approach has had on movement analysis and an analytical approach to dance-movement based on an understanding of human motion as a collection of fixed points in a movement continuum. Central to thid approach is the idea that movement can be captured graphically for its analysis via different techniques of graphic representation: including drawing, 3D modelling, graph, diagrams and notation. The article also argues that graphic models play a key role in the development of Laban´s theory of harmonic space. Based on a series of geometric and topological models Laban Was able to develop a material method as part of his creative research on movement analysis. My claim is that Laban´s graphic approach encourages the use of visual media and technologies of graphic inscription as inventive methods for the better understanding of movement, which is why Laban´s thinking can be adequately recinceptualised using technologies like video and motion capture. As a unit of analysis, this article explores one of Laban´s most fundamental and yet least known material models: the spheric from. I argue that this medel present us with a much broader understanding of Laban´s movement analysis as a form of material thinking , and not only within the context of dance-training, but as part of a vision of the dance that complete in its philosophical perspectives, and which Laban called choreosophy. This article finishes with a brief examination of C8´s choreography "Solid Sense" (performed in 2011), which in the author´s opinion exemplifies, as creative research, some of the central preoccupations of Laban´s choreosophical studies. |
| 773 0# - HOST ITEM ENTRY | |
| Title | Dance Research |
| Host Biblionumber | 72889 |
| Record control number | myd_16032 |
| Relationship information | Vol. 30, núm. 2, Winter 2012, p. 147 - 168 |
| 903 ## - LOCAL DATA ELEMENT C, LDC (RLIN) | |
| a | 91053 |
| b | 91053 |
| 942 ## - ADDED ENTRY ELEMENTS (KOHA) | |
| Koha item type | Artículos de revista |
| Source of classification or shelving scheme | Other/Generic Classification Scheme |
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