Victory Garden (Registro nro. 126177)

Detalles MARC
000 -LEADER
fixed length control field 01783nab a2200193 c 4500
001 - CONTROL NUMBER
control field myd_91064
003 - CONTROL NUMBER IDENTIFIER
control field ES-MaCDM
005 - DATE AND TIME OF LATEST TRANSACTION
control field 20241001093008.0
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION
fixed length control field 181003s2012 stk||||fr 00| u|eng u
040 ## - CATALOGING SOURCE
Original cataloging agency ES-MaCDM
100 1# - MAIN ENTRY--PERSONAL NAME
Personal name Meglin, Joellen A.
Dates associated with a name 1931-
245 0# - TITLE STATEMENT
Title Victory Garden
Remainder of title Ruth Page's Danced Poems in the Time of World War II
Statement of responsibility, etc Joellen A. Meglin
260 ## - PUBLICATION, DISTRIBUTION, ETC. (IMPRINT)
Date of publication, distribution, etc 2012
Place of publication, distribution, etc Edinburgh:
Name of publisher, distributor, etc Edinburgh University Press,
300 ## - PHYSICAL DESCRIPTION
Extent 35 p.
520 ## - SUMMARY, ETC.
Summary, etc RESUMEN: During the years 1943-1946, the Chicago choreographer and ballet director Ruth Page created a compact, innovative vehicle for touring, a concert she called Dances With Word and Music. The progremme consisted of solo dance accompanied by the poems of Dorothy Parker, Ogden Nahs, e.e. cummings, Federico García Lorca, Langton Hughes, Hilaire Belloc, Edna St. Vicent Millay, and others. Page performance her dance poems, speaking the words herself and dialoguing with them in dance, in New York and Chicago and a Jacob´s Pillow. She also toured extensively to smallersitied scattered thoughout the Midwest and South, aponsored by colleges and universities, as well as civic associations, independent producers, women´s clubs, and USOs. I argue that Page´s marriage of poetry and dance was not just a stopgap measure designed to keep her choreographic footing during the lean years when male dancers were enlisted. It was a delibetare strategy to position herself as a front-runner on tha American scene - an architect of the american ballet with a sensitive "vernacular ear" a worldview, and, crucially, a perspective sympathetic to the psyches of young women and children.
773 0# - HOST ITEM ENTRY
Title Dance Research
Host Biblionumber 72889
Record control number myd_16032
Relationship information Vol. 30, núm. 1, Summer 2012, p. 22 - 56
903 ## - LOCAL DATA ELEMENT C, LDC (RLIN)
a 91064
b 91064
942 ## - ADDED ENTRY ELEMENTS (KOHA)
Koha item type Artículos de revista
Source of classification or shelving scheme Other/Generic Classification Scheme

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