Dancing the Score (Registro nro. 126224)
[ vista simple ]
| 000 -LEADER | |
|---|---|
| fixed length control field | 01694nab a2200193 c 4500 |
| 001 - CONTROL NUMBER | |
| control field | myd_91112 |
| 003 - CONTROL NUMBER IDENTIFIER | |
| control field | ES-MaCDM |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20241001093010.0 |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION | |
| fixed length control field | 181003s2010 stk||||fr 00| u|eng u |
| 040 ## - CATALOGING SOURCE | |
| Original cataloging agency | ES-MaCDM |
| 100 1# - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Watts, Victoria |
| 9 (RLIN) | 103739 |
| 245 0# - TITLE STATEMENT | |
| Title | Dancing the Score |
| Remainder of title | Dance Notation and Differance |
| Statement of responsibility, etc | Victoria Watts |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. (IMPRINT) | |
| Date of publication, distribution, etc | 2010 |
| Place of publication, distribution, etc | Edinburgh: |
| Name of publisher, distributor, etc | Edinburgh University Press, |
| 300 ## - PHYSICAL DESCRIPTION | |
| Extent | 12 p. |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc | RESUMEN: This article moves towards an explanation of the kinds of meaning captured in dance notation, towards a critical reflection on linguistic accounts of meaning in dance, and towards a model of analysis that slips free from the dichotomy of theory versus practice, and its correlate of text versus experience. In following Derrida's argument about speech and writing, and through a re-reading of his account of the myth of Theuth, I suggest that dance notation sensuously illustrates the kind of binary-destabilising matter and movement that Derrida theorises variously as trace, différance, and arche-writing. Further, I propose that dance notation, in its relationship to theatrical dance, provides an exemplary, rather than a unique, textual practice: one which necessarily annihilates the old mind/body and speech/writing dualisms. While Derrida achieves this through elaborate, often mischievous, wordplay in his deconstructions, I reflect upon the etymology of choreography and choreology, upon the process of reading and writing a dance score, and upon the marginal status of notation within the dance field. |
| 773 0# - HOST ITEM ENTRY | |
| Title | Dance Research |
| Host Biblionumber | 72889 |
| Record control number | myd_16032 |
| Relationship information | Vol. 28, núm. 1, Summer 2010, p. 7 - 18 |
| 903 ## - LOCAL DATA ELEMENT C, LDC (RLIN) | |
| a | 91112 |
| b | 91112 |
| 942 ## - ADDED ENTRY ELEMENTS (KOHA) | |
| Koha item type | Artículos de revista |
| Source of classification or shelving scheme | Other/Generic Classification Scheme |
No hay ítems disponibles.