Creating a Canon, Creating the "Classics" in Twentieth-Century British Ballet (Registro nro. 126248)
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| 000 -LEADER | |
|---|---|
| fixed length control field | 01816nab a2200193 c 4500 |
| 001 - CONTROL NUMBER | |
| control field | myd_91136 |
| 003 - CONTROL NUMBER IDENTIFIER | |
| control field | ES-MaCDM |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20241001093012.0 |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION | |
| fixed length control field | 181003s2000 stk||||fr 00| u|eng u |
| 040 ## - CATALOGING SOURCE | |
| Original cataloging agency | ES-MaCDM |
| 100 1# - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Genné, Beth |
| 9 (RLIN) | 138251 |
| 245 ## - TITLE STATEMENT | |
| Title | Creating a Canon, Creating the "Classics" in Twentieth-Century British Ballet |
| Remainder of title | |
| Statement of responsibility, etc | Beth Genné |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. (IMPRINT) | |
| Date of publication, distribution, etc | 2000 |
| Place of publication, distribution, etc | Edinburgh: |
| Name of publisher, distributor, etc | Edinburgh University Press, |
| 300 ## - PHYSICAL DESCRIPTION | |
| Extent | 31 p. |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc | RESUMEN: One of the major scholarly projects in the academic study of all areas of the "Western" humanities in the last decade has been a radical re-examination of "canons" - those bodies of works in art, literature and music that have come to be seen as the foundations of the field. The canon of classics forms the core of the teaching of humanities at most American and British universities. In Western ballet history we have a chance to examine the precise historical moment when the "classics" became the "classics", when the canon of ballets that now form part of the unconscious assumptions of most who write about or perform dance was created - at least in England. While I do not think I can give a completely definitive picture of this period, I can begin a discussion about it- and begin to sketch in a partial picture of what was going on in the minds of the performers and critics who set up the "classics". I start with the work of Ninette de Valois, that matriarch who was responsible for so much of the renaissance of ballet that took place in this century in England, in her work with the company that eventually became the royal Ballet and with the circle of artist and critics who influenced her. |
| 773 0# - HOST ITEM ENTRY | |
| Title | Dance Research |
| Record control number | myd_16032 |
| Relationship information | Vol. 18, núm. 2, Winter 2000, p. 132 - 162 |
| Host Biblionumber | 72889 |
| 903 ## - LOCAL DATA ELEMENT C, LDC (RLIN) | |
| a | 91136 |
| b | 91136 |
| 942 ## - ADDED ENTRY ELEMENTS (KOHA) | |
| Koha item type | Artículos de revista |
| Source of classification or shelving scheme | Other/Generic Classification Scheme |
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