Turning the World Upside Down (Registro nro. 126326)
[ vista simple ]
| 000 -LEADER | |
|---|---|
| fixed length control field | 01910nab a2200205 c 4500 |
| 001 - CONTROL NUMBER | |
| control field | myd_91215 |
| 003 - CONTROL NUMBER IDENTIFIER | |
| control field | ES-MaCDM |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20241001093012.0 |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION | |
| fixed length control field | 181003s2018 stk||||fr 00| u|eng u |
| 040 ## - CATALOGING SOURCE | |
| Original cataloging agency | ES-MaCDM |
| 100 1# - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Dittman Stanich, Veronica |
| 9 (RLIN) | 127515 |
| 245 0# - TITLE STATEMENT | |
| Title | Turning the World Upside Down |
| Statement of responsibility, etc | Veronica Dittman Stanich |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. (IMPRINT) | |
| Date of publication, distribution, etc | 2018 |
| Place of publication, distribution, etc | Edinburgh: |
| Name of publisher, distributor, etc | Edinburgh University Press, |
| 300 ## - PHYSICAL DESCRIPTION | |
| Extent | 26 p. |
| 500 ## - GENERAL NOTE | |
| General note | In Memory of Ivor Guest, Dance Historian Joint-Founder of the Society for Dance Research and of its Journal (14 April 1920 - 30 March 2018) |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc | RESUMEN: A particular movement -inverting the body to a tail-over-head orientation and fleetingly taking weight on the hands- has been a staple of postmodern dance training and choreography since the early 1990s, yet it remains unnamed and uncodified. Taking a material culture studies approach, I examine this movement closely, using interviews, observation, historical analysis, and a survey of dance practitioners to situate this not-exactly-a-handstand within the field of American postmodern dance. These multiple perspectives yield new insights into the field, its practitioners, and its relationship to the larger cultural picture. I find embodied in this transitional, upside-down movement not only postmodern dance's countercultural and eclectic inheritance but also the conflicted cultural space it occupies. Postmodern dance is old enough, to have a tradition, but doesn't want to relinquish its maverick identity; meanwhile, its meaning-making codes are inaccessible to much of the general public even as it begs a bigger audience in order to thrive. PALABRAS CLAVE: handstand, inversion, postmodern dance, Judson Dance Theater, Lisa Race, material culture research |
| 773 0# - HOST ITEM ENTRY | |
| Title | Dance Research |
| Host Biblionumber | 72889 |
| Record control number | myd_16032 |
| Relationship information | Vol. 36, núm. 2, Winter 2018, p. 198 - 223 |
| 903 ## - LOCAL DATA ELEMENT C, LDC (RLIN) | |
| a | 91215 |
| b | 91215 |
| 942 ## - ADDED ENTRY ELEMENTS (KOHA) | |
| Koha item type | Artículos de revista |
| Source of classification or shelving scheme | Other/Generic Classification Scheme |
No hay ítems disponibles.