Dimensions of Dance with Reference to Song Lyrics (Registro nro. 126329)
[ vista simple ]
| 000 -LEADER | |
|---|---|
| fixed length control field | 01952nab a2200205 c 4500 |
| 001 - CONTROL NUMBER | |
| control field | myd_91218 |
| 003 - CONTROL NUMBER IDENTIFIER | |
| control field | ES-MaCDM |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20241001093013.0 |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION | |
| fixed length control field | 181003s2018 stk||||fr 00| u|eng u |
| 040 ## - CATALOGING SOURCE | |
| Original cataloging agency | ES-MaCDM |
| 100 1# - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Kartomi Thomas, Karen |
| 9 (RLIN) | 138311 |
| 245 0# - TITLE STATEMENT | |
| Title | Dimensions of Dance with Reference to Song Lyrics |
| Statement of responsibility, etc | Karen Kartomi Thomas |
| Remainder of title | Improvisatory Processes and Practices in Indonesian Malay Mendu Theatre Performance |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. (IMPRINT) | |
| Date of publication, distribution, etc | 2018 |
| Place of publication, distribution, etc | Edinburgh: |
| Name of publisher, distributor, etc | Edinburgh University Press, |
| 300 ## - PHYSICAL DESCRIPTION | |
| Extent | 16 p. |
| 500 ## - GENERAL NOTE | |
| General note | In Memory of Ivor Guest, Dance Historian Joint-Founder of the Society for Dance Research and of its Journal (14 April 1920 - 30 March 2018) |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc | RESUMEN: In this article, I analyse the creative process of dance in Malay mendu theatre staged in Indonesia's northern Riau islands, based on fieldwork I conducted in 1984 and 2013. I describe and compare the four main motifs that made up most of the theatre's dances (referring specifically to upper body movements, the height of the forearms and hands, the direction of the eye gaze, the number of beats per movement), and deconstruct the five integrated, improvisatory mechanisms of the dance system (repetition, modification, retrogrades, looping, and controlled free-timing) by which actors generated their dances; thereby devising a choreology of Malay theatrical dance. Four performance parameters -motivic sequencing, improvisation, reflexive-cueing, and the dance-lyrics dynamic- were employed to guide and control these mechanisms. This case study aims to show how analyzing a creative dance method benefits from an ethnographic research approach. PALABRAS CLAVE: creative dance method, generative dance method, Indonesian Malay theatre performance, mendu theatre, improvisatory dance practices, system of dance |
| 773 0# - HOST ITEM ENTRY | |
| Title | Dance Research |
| Host Biblionumber | 72889 |
| Record control number | myd_16032 |
| Relationship information | Vol. 36, núm. 2, Winter 2018, p. 253- 268 |
| 903 ## - LOCAL DATA ELEMENT C, LDC (RLIN) | |
| a | 91218 |
| b | 91218 |
| 942 ## - ADDED ENTRY ELEMENTS (KOHA) | |
| Koha item type | Artículos de revista |
| Source of classification or shelving scheme | Other/Generic Classification Scheme |
No hay ítems disponibles.