Dance to the Music of Time (Registro nro. 127037)
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| 000 -LEADER | |
|---|---|
| fixed length control field | 01023nab a2200193 c 4500 |
| 001 - CONTROL NUMBER | |
| control field | myd_91931 |
| 003 - CONTROL NUMBER IDENTIFIER | |
| control field | ES-MaCDM |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20240919110624.0 |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION | |
| fixed length control field | 181003m20032004enk||||fr 00| u|eng u |
| 040 ## - CATALOGING SOURCE | |
| Original cataloging agency | ES-MaCDM |
| 100 1# - MAIN ENTRY--PERSONAL NAME | |
| Personal name | McCarthy, Brendan |
| 9 (RLIN) | 102553 |
| 245 0# - TITLE STATEMENT | |
| Title | Dance to the Music of Time |
| Statement of responsibility, etc | Brendan McCarthy |
| Remainder of title | Conducting for ballet |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. (IMPRINT) | |
| Date of publication, distribution, etc | 2003-04: |
| Name of publisher, distributor, etc | Dance Books Ltd., |
| Place of publication, distribution, etc | Alton,Hampshire (UK) |
| 300 ## - PHYSICAL DESCRIPTION | |
| Dimensions | 12 p. |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc | Conducting for ballet. Because the ballet conductor cannot rule by fiat, he must exercise instead a more persuasive power. Lambert opened windows on other worlds for an art form prone to introspection and preoccupation with technique. PALABRAS CLAVE: ballet conductors, music directors, Constant Lambert, Graham Bond, John Carewe, Philip Ellis, Barry Wordsworth, Jacques Lacombe, Andrea Quinn, Bernard Haitink, Antonio Pappano, Paul Hoskins. |
| 773 0# - HOST ITEM ENTRY | |
| Title | Dance Now |
| Host Biblionumber | 74546 |
| Record control number | myd_17706 |
| Relationship information | Vol. 12, núm. 4, Winter 2003/04, p. 31 - 42 |
| 903 ## - LOCAL DATA ELEMENT C, LDC (RLIN) | |
| a | 91931 |
| b | 91931 |
| 942 ## - ADDED ENTRY ELEMENTS (KOHA) | |
| Koha item type | Artículos de revista |
| Source of classification or shelving scheme | Other/Generic Classification Scheme |
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