The Music Inventory of the Napoleonic Kingdom of Italy: (Registro nro. 129410)

Detalles MARC
000 -LEADER
fixed length control field 02281nab a2200217 c 4500
001 - CONTROL NUMBER
control field myd_94755
003 - CONTROL NUMBER IDENTIFIER
control field ES-MaCDM
005 - DATE AND TIME OF LATEST TRANSACTION
control field 20240918092548.0
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION
fixed length control field 181003s2021 -us||||fr 00| u|eng u
040 ## - CATALOGING SOURCE
Original cataloging agency ES-MaCDM
100 1# - MAIN ENTRY--PERSONAL NAME
Personal name Sirch, Licia
9 (RLIN) 103290
245 1# - TITLE STATEMENT
Title The Music Inventory of the Napoleonic Kingdom of Italy:
Remainder of title (Milan, 1805-1814)/
Statement of responsibility, etc Licia M. Sirch
260 ## - PUBLICATION, DISTRIBUTION, ETC. (IMPRINT)
Place of publication, distribution, etc Middleton, WI:
Name of publisher, distributor, etc A-R Editions,
Date of publication, distribution, etc 2021
300 ## - PHYSICAL DESCRIPTION
Dimensions páginas
336 ## - TIPO DE CONTENIDO
Término de tipo de contenido Texto (visual)
337 ## - TIPO DE MEDIO
Término de tipo de contenido sin mediación
520 ## - SUMMARY, ETC.
Summary, etc This article presents the music inventory of the French Court at the time of the Napoleonic Kingdom of Italy (1805-1814) with Milan as capital, currently kept in the State Archives of Milan among the inventories of the properties already owned by the French court of Beauharnais, The detailed list includes sacred music for the court chapel, music for the academies, that is for concerts given at court-music particular to Prince Eugène and the compositions performed during Napoleon's coronation in Milan (26 May 1805). Most of the compositions in the inventory are currently preserved in two libraries: the Milan Conservatoire and the Bayerische Staatsbibliothek in Munich (known as "Sammlung Leuchtenberg. Eugéne Herzog von", 1781-1824), where Eugène retired to with his family with his-father-in-law, King of Bavaria, after the fall of the Kingdom of Italy. This study of the collection has made possible to establish that: 1) a large part of the sacred music (in the collection) was the work of Bonifazio Asioli, former chapel master and also master of the royal Napoleonic court of Milan, as well as first director and maestro of composition of the Conservatoire founded by Eugène; 2) that the Milanese nucleus constitutes the basic heritage of the Conservatoire Library; 3) the tastes of the court were strongly oriented towards Neapolitan theatre music (Pergolesi, Cimarosa, Gugliemi); 4) these tastes and this heritage strongly influenced the didactics of music, as can be seen in Asioli's Trattato di Armonia (1813), composed for the students of the Milan Conservatoire and dedicated to Eugène de Beauharnais.
773 0# - HOST ITEM ENTRY
Title Fontes Artis Musicae
Host Biblionumber 72894
Record control number Myd_16037
Relationship information Vol. 68, núm. 2,Abr.-Jun. 2021, p. 67
903 ## - LOCAL DATA ELEMENT C, LDC (RLIN)
a 94755
b 94755
942 ## - ADDED ENTRY ELEMENTS (KOHA)
Koha item type Artículos de revista
Source of classification or shelving scheme Other/Generic Classification Scheme

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