Mozart and the Moravians/ (Registro nro. 129777)

Detalles MARC
000 -LEADER
fixed length control field 01667nab a2200217 c 4500
001 - CONTROL NUMBER
control field myd_95130
003 - CONTROL NUMBER IDENTIFIER
control field ES-MaCDM
005 - DATE AND TIME OF LATEST TRANSACTION
control field 20240917124659.0
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION
fixed length control field 181003s2019 enk||||fr 00| u|eng u
040 ## - CATALOGING SOURCE
Original cataloging agency ES-MaCDM
100 1# - MAIN ENTRY--PERSONAL NAME
Personal name Eyerly, Sarah
9 (RLIN) 141368
245 1# - TITLE STATEMENT
Title Mozart and the Moravians/
Statement of responsibility, etc Sarah Eyerly
260 ## - PUBLICATION, DISTRIBUTION, ETC. (IMPRINT)
Place of publication, distribution, etc London; Oxford:
Name of publisher, distributor, etc Oxford University Press,
Date of publication, distribution, etc 2019
300 ## - PHYSICAL DESCRIPTION
Dimensions páginas
336 ## - TIPO DE CONTENIDO
Término de tipo de contenido Texto (visual)
337 ## - TIPO DE MEDIO
Término de tipo de contenido sin mediación
520 ## - SUMMARY, ETC.
Summary, etc Beginning in the 1730s, members of the German Moravian church established a transnational network of mission communities across the Atlantic world. Moravian missions were polyglot communities, variously populated by German, English, Delaware, Mohican, Arawak and Inuit Christians. Moravian sacred music reflected this racial, ethnic and linguistic diversity, and vocal works were often performed in several different languagues, depending on the background of the performers and listeners. This article investigates the Moravian contrafacts of Mozart compositions such as "Ave verum corpus", shedding light on the role of indigenous musicians in making such adaptations. Multi-lingual, transcultural musical creation like this involved a process of negotiation between missionaries and indigenous Christians. The complexity of these negotiations is suggested by the modern-day performance practices of Inuit Moravian musicians in coastal Labrador, where contrafacts of European-derived music such as "Ave verum corpus" have been performed since the early 19th century.
773 0# - HOST ITEM ENTRY
Title Early Music
Host Biblionumber 72886
Record control number myd_16029
Relationship information Vol. 47, núm. 2,May. 2019, p.
903 ## - LOCAL DATA ELEMENT C, LDC (RLIN)
a 95130
b 95130
942 ## - ADDED ENTRY ELEMENTS (KOHA)
Koha item type Artículos de revista
Source of classification or shelving scheme Other/Generic Classification Scheme

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