Notation as a transformative technology: (Registro nro. 129780)

Detalles MARC
000 -LEADER
fixed length control field 02021nab a2200217 c 4500
001 - CONTROL NUMBER
control field myd_95133
003 - CONTROL NUMBER IDENTIFIER
control field ES-MaCDM
005 - DATE AND TIME OF LATEST TRANSACTION
control field 20240917124659.0
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION
fixed length control field 181003s2019 enk||||fr 00| u|eng u
040 ## - CATALOGING SOURCE
Original cataloging agency ES-MaCDM
100 1# - MAIN ENTRY--PERSONAL NAME
Personal name Bowring, Lynette
9 (RLIN) 141371
245 1# - TITLE STATEMENT
Title Notation as a transformative technology:
Remainder of title orality, literacy and early modern instrumentalists/
Statement of responsibility, etc Lynette Bowring
260 ## - PUBLICATION, DISTRIBUTION, ETC. (IMPRINT)
Place of publication, distribution, etc London; Oxford:
Name of publisher, distributor, etc Oxford University Press,
Date of publication, distribution, etc 2019
300 ## - PHYSICAL DESCRIPTION
Dimensions páginas
336 ## - TIPO DE CONTENIDO
Término de tipo de contenido Texto (visual)
337 ## - TIPO DE MEDIO
Término de tipo de contenido sin mediación
520 ## - SUMMARY, ETC.
Summary, etc Learning to read and write music can be a transformative experience, opening up new avenues for performance and composition, and inviting the use of different creative processes. For many professional ensemble instrumentalists, particularly those who played wind and bowed-stringef instruments, a transition from traditional oral practices to widespread reading and writing of notation happened only gradually, with some oral practices persisting into the 16th century. By the early Baroque period, some benefits of literacy were being felt by these instrumentalists, since they could write down their music in precise notation and have it published for wider dissemination. In this article the author argues that this growth in musical literacy, and the text-based pedagogical methods of a literate age, had a considerable impact upon the idiomatic instrumental music of the stile moderno. New notations of previously oral traditions produced a more methodical understanding of improvisatory and ornamental idioms, and the creation of compositions using writing encouraged the detailed notation of an idiomatic instrumental style. Drawing on research into orality and literacy in language, the author assesses musical literacy as a tool that shaped the creative acts of instrumentalists and helped them to develop new compositional identities.
773 0# - HOST ITEM ENTRY
Title Early Music
Host Biblionumber 72886
Record control number myd_16029
Relationship information Vol. 47, núm. 2,May. 2019, p.
903 ## - LOCAL DATA ELEMENT C, LDC (RLIN)
a 95133
b 95133
942 ## - ADDED ENTRY ELEMENTS (KOHA)
Koha item type Artículos de revista
Source of classification or shelving scheme Other/Generic Classification Scheme

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