David's dancers in Palermo: (Registro nro. 129783)

Detalles MARC
000 -LEADER
fixed length control field 02188nab a2200217 c 4500
001 - CONTROL NUMBER
control field myd_95136
003 - CONTROL NUMBER IDENTIFIER
control field ES-MaCDM
005 - DATE AND TIME OF LATEST TRANSACTION
control field 20240917124659.0
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION
fixed length control field 181003s2019 enk||||fr 00| u|eng u
040 ## - CATALOGING SOURCE
Original cataloging agency ES-MaCDM
100 1# - MAIN ENTRY--PERSONAL NAME
Personal name Kapitaikin, Lev A.
9 (RLIN) 141372
245 1# - TITLE STATEMENT
Title David's dancers in Palermo:
Remainder of title Islamic dance imagery and its Christian recontextualization in the ceilings of the Cappella Palatina/
Statement of responsibility, etc Lev A. Kapitaikin
260 ## - PUBLICATION, DISTRIBUTION, ETC. (IMPRINT)
Place of publication, distribution, etc London; Oxford:
Name of publisher, distributor, etc Oxford University Press,
Date of publication, distribution, etc 2019
300 ## - PHYSICAL DESCRIPTION
Dimensions páginas
336 ## - TIPO DE CONTENIDO
Término de tipo de contenido Texto (visual)
337 ## - TIPO DE MEDIO
Término de tipo de contenido sin mediación
520 ## - SUMMARY, ETC.
Summary, etc A chorus of painted dancers and musicians is poised amongst the paintings of the "Islamic" muqarnas ceiling of the Cappella Palatina of Palermo, the royal chapel constructed by King Roger II of Sicily (1130-54). The ceilings' paintings were the work of artists likely imported from Fatimid Egypt or the Maghrib, and these dancers denote slave-girls and singers-called jawari or qiyan-who were a standard "accesory" of medieval Islamic courts, but were also kept by some Christian monarchs, and the Normans of Sicily (1130-94). The dancers' paintings in the Palatina are related to parallel Islamic imagery and textual testimonies of dance from Fatimid Egypt, Seljuq Iran, medieval Spain, and Arabic Sicily itself.The dancers' poses suggest a rapid transmission of Far Eastern dance iconographies and choreographies like the Asian "sleeve-dance" via Central Asia, to Islamic Byzantium and beyond. Yet once those Islamic dancers were transposed to this Christian royal chapel, allocated to its sanctuary-choir entrance, allocated to its sanctuary-choir entrance, and associated with another painting in the ceiling of David the harpist alla Romanesque Psalter, they acquired a Christian meaning of a Davidic "Dance of Triumph" as in dance illustrations in Middle Byzantine psalters and bibles. As such, the dancers depicted in the Palatina ceiling are grim evocations of captive Muslim entertainers performing a psalmody at the Holy Temple of Christ and the Norman King.
773 0# - HOST ITEM ENTRY
Title Early Music
Host Biblionumber 72886
Record control number myd_16029
Relationship information Vol. 47, núm. 1,February 2019, p.
903 ## - LOCAL DATA ELEMENT C, LDC (RLIN)
a 95136
b 95136
942 ## - ADDED ENTRY ELEMENTS (KOHA)
Koha item type Artículos de revista
Source of classification or shelving scheme Other/Generic Classification Scheme

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