La canzona and Stabat Mater: (Registro nro. 129787)
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| 000 -LEADER | |
|---|---|
| fixed length control field | 01632nab a2200217 c 4500 |
| 001 - CONTROL NUMBER | |
| control field | myd_95140 |
| 003 - CONTROL NUMBER IDENTIFIER | |
| control field | ES-MaCDM |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20240917124659.0 |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION | |
| fixed length control field | 181003s2019 enk||||fr 00| u|eng u |
| 040 ## - CATALOGING SOURCE | |
| Original cataloging agency | ES-MaCDM |
| 100 1# - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Timms, Colin |
| Dates associated with a name | 1944- |
| 9 (RLIN) | 103464 |
| 245 1# - TITLE STATEMENT | |
| Title | La canzona and Stabat Mater: |
| Remainder of title | Steffani's first and last gifts to the Academy of Ancient Music?/ |
| Statement of responsibility, etc | Colin Timms |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. (IMPRINT) | |
| Place of publication, distribution, etc | London; Oxford: |
| Name of publisher, distributor, etc | Oxford University Press, |
| Date of publication, distribution, etc | 2019 |
| 300 ## - PHYSICAL DESCRIPTION | |
| Dimensions | páginas |
| 336 ## - TIPO DE CONTENIDO | |
| Término de tipo de contenido | Texto (visual) |
| 337 ## - TIPO DE MEDIO | |
| Término de tipo de contenido | sin mediación |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc | Towards the end of his life Agostino Steffani (1654-1728) sent examples of his work to the Academy of Vocal (later "Ancient") Music in London. It is often assumed that the first piece he sent was his madrigal Gettano i re dal soglio, but here it is argued that it may have been La canzona che volete, an anonymous and hitherto unnoticed chamber duet that precedes the madrigal in a manuscript with links to the Academy. Probably after his death, the Academy received his Stabat Mater for six voices and six instruments (plus continuo). The article accounts for this unusual scoring and suggests that Steffani did not originally intend the setting for the Academy. Whe he started it and left it unfinished, and why he completed it in the 1720s and offered it to the Academy, are further questions to which answers are proposed. It may have been Steffani's Stabat Mater that led the Academy to accept works with instruments, and also to change its name. |
| 773 0# - HOST ITEM ENTRY | |
| Title | Early Music |
| Host Biblionumber | 72886 |
| Record control number | myd_16029 |
| Relationship information | Vol. 47, núm. 1,February 2019, p.65 |
| 903 ## - LOCAL DATA ELEMENT C, LDC (RLIN) | |
| a | 95140 |
| b | 95140 |
| 942 ## - ADDED ENTRY ELEMENTS (KOHA) | |
| Koha item type | Artículos de revista |
| Source of classification or shelving scheme | Other/Generic Classification Scheme |
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